Mount Fuji – The Movement of Clouds

Clouds 1969 by the British filmmaker Peter Gidal is a film comprised of ten minutes of looped footage of the sky, shot with a handheld camera using a zoom to achieve close-up images. Aside from the amorphous shapes of the clouds, the only forms to appear in the film are an aeroplane flying overhead and the side of a building, and these only as fleeting glimpses. The formless image of the sky and the repetition of the footage on a loop prevent any clear narrative development within the film. The minimal soundtrack consists of a sustained oscillating sine wave, consistently audible throughout the film without progression or climax. The work is shown as a projection and was not produced in an edition. The subject of the film can be said to be the material qualities of film itself: the grain, the light, the shadow and inconsistencies in the print.

They gather here every day. They come from far and without purpose. They don't know each other and they won't come to know each other. They carry their gadgets to optimize the experience. They engage with the world through a small frame. They believe that this moment will remain unforgotten.

Short documentary about cyclones.

An Eternalism film.

Hand processed expired Kodak 7291, Camera: Beaulieu R16, Lens: Angenieux 12-120mm with +3 Diopter, Polarising filter for the clouds. Hand processed in C-41 chem using a Lomo UPB-1A tank. Still haven't mastered removal of the rem-jet anti-halation layer (thats all the white 'static' on the film). The film expired about 40 years ago.

Clouds forming and moving through the summer sky.

Experimental short film showing a single 10-minute shot of the sky.

Commissioned by the U.S. Government Defense Civil Preparedness Agency, the film describes the elements of a modern tornado warning system as was developed at the Texas Tornado Warning Conferences in 1953 and included radar detection of tornadoes, a spotter network, and improved communications between the U.S. Weather Bureau, spotters, and public officials to better disseminate warnings to the public. In the 1960s TV changed the way tornado safety and preparedness information was disseminated and this film is likely a product of that development. This film opens with vignettes of people in a small town somewhere in America’s suburban midwest. It then goes on to display the moments before and after the onset of a tornado and informs the audience of appropriate safety response measures.