Automatic Writing

Reynivellir is a representation of the transit that is generated when approaching the art work, described with visual games that can well be evoked by the same brain when witnessing the impossible figures of Jose María Yturralde. Reynivellir is also a beach in a country that is a musical sonnet, and this is so because the mental image does not always connect the articulated parts of a sensation, it is systematic, but aleatory, and it is from these notions of the field of observation, that it approaches and moves away from understanding, linking and unlinking forms, movements, sounds, sensations and knowledge.

As technology accelerates, our species' collective imagination of the future grows ever more kaleidoscopic. We are all haunted by temporal distortion, perhaps no more than when we attempt to remember what the future looked like to our younger selves. As the mist of time devours our memories, the future recedes; each of us burdened by the gaping mouth of entropy. Yet, emerging technology provides a glimmer of hope; transhumanism promises a future free from mortality, disease and pain. Does our salvation lie in digital simulacra? We're here to sell you the answer to that question, for the low, low price of four hundred and seventy seconds.

A trippy pop-art collage of phallic objects, naked women and American icons, most notably Elvis Presley.

An animated short consisting of 4 segments: bowl, garden, theatre, marble game. Preserved by the Academy Film Archive in partnership with Harvard Film Archive in 2015.

A showcase for the MCAD Animation Workshop 1972 where each student was given one of a series of cells to animate whatever they pleased.

A short movie about a guy living in his own world.

The emotion of people easily changes. It is not easy to define what emotion is. We just feel it. To feel emotion is like to observe nature because nature always changes by time, sun, and wind. When we observe nature, the nature tries to say what our emotion is because the nature leaves the trace of emotion.

A girl is commissioned to paint over an old concrete illustration, in which to her surprise, sinks into. She befriends a painted dragon who has a wing missing.

Visit He visits a city. The city already forgot him. The city is still sinking in his dream. The flicking segments of real life and illusion. Only the lighthouse has his memory. But the memory will may be vanished.

"Frozen Jumper" begins in hit-and-run style with a pulsating textural noise. Flickering, nearly rectangular patterns join on the image plane, at first in black-and-white, bringing to mind the sprocket holes in celluloid film and, not least due to the lack of geometric precision, giving the impression of a pre-digital origin. As the soundtrack rattles on in a minimalistic way, the pattern’s twitchy dance is submerged in various warm hues such as yellow, pink, light green and light blue, which in a different rhythm and to a more agreeable music could be perceived as the signature of slightly retro psychedelia.

Threnody emphasises some of the madness and instability of a year filled with fires, infections and general disarray.

The story focuses on high school girl Nagisa Yukiai who lives in a seaside town. She has believed her grandmother's story that spirits dwell in words and they are called "kotodama" (word spirit). One day, she strays into a mini FM station that has not been used for years. As an impulse of the moment, she tries to talk like a DJ using the facility. But her voice accidentally broadcasted reaches someone she has never expected.