Herself / Bárbara
This documentary takes a game-by-game deep dive into the history and evolution of a genre that has grown from the simple wireframe graphics of Maze War and Spasim to become a staple of popular culture that is enjoyed by millions of gamers worldwide. Explore the creation and legacy of the most popular and significant FPS titles from the last 48 years, including favorites such as Wolfenstein 3D, Doom, Quake, GoldenEye, Half-Life, Unreal Tournament, Deus Ex, Halo… and many more.
A group of young people begin an investigative documentary about a series of disappearances in the Curitiba region. Reports point to the involvement of a supposed "slender man," and the mystery deepens when, upon leaving the city, they find themselves lost and isolated in a region called Serra Madrugada. Intrigue, accusations, and fights are just the first obstacles faced by the group on the most terrifying night of their lives. They are not alone.
Wreck-It Ralph is the 9-foot-tall, 643-pound villain of an arcade video game named Fix-It Felix Jr., in which the game's titular hero fixes buildings that Ralph destroys. Wanting to prove he can be a good guy and not just a villain, Ralph escapes his game and lands in Hero's Duty, a first-person shooter where he helps the game's hero battle against alien invaders. He later enters Sugar Rush, a kart racing game set on tracks made of candies, cookies and other sweets. There, Ralph meets Vanellope von Schweetz who has learned that her game is faced with a dire threat that could affect the entire arcade, and one that Ralph may have inadvertently started.
In the slums of the future, VR junkies satisfy their violent impulses in online entertainment. An expert player discovers that the line between games and reality is starting to fade away. A glimpse into a future where First Person Shooters have become a new drug for those disillusioned with society. The films examines the consequences of this on the global society.
Your pregnant wife Linda has been captured by a ruthless scientist, who created a devastating virus. To rescue her, you have to fight through the old rotten experimental clinic, armed to the teeth, one level after another right through the dark, decayed guts of this evil complex. unfortunately you don't have much time, at dawn, the whole area will be eradicated.
An extraordinary film about memory, and specifically the fading memory of an 86-year-old political activist who has fought tirelessly against historical amnesia and for justice in Argentina. The director’s grandmother, Laura Bonaparte, was one of the founders of the Mothers of the Plaza de Mayo, formed during the 1970s by women whose children and family members had been disappeared by the Videla military dictatorship. Laura herself lost three children and their partners, including the director’s parents. Today, after a lifetime battling that the disappeared never be forgotten, Laura faces her own struggle to remember.
Neuropsychologist Paul Broks travels America in search of the soul of legendary jazz guitarist Pat Martino who was brutally silenced by memory stripping brain surgery. Tracing his remarkable ascent from the depths of amnesia, back to the peak of artistry, Broks explores the nature of memory, self, creativity and the brain systems underlying personal identity. Filmed throughout the US in 2006 and 2007 the film features Delmar Brown, Red Holloway, John Patitucci, Les Paul, Joe Pesci, Carlos Santana and Pete Townshend.
Diana Mariscal reached a moment of fame in the sixties, when at just 18 years of age she was the lead actress of the movie Fando and Lis by Alejandro Jodorowsky. The moment seemed to trigger a promising career, but her public image faded little by little until disappearing. Forty years later the traces of her existence have not been entirely erased.
At the beginning of 2012 the so called war against crime, led by the Mexican Federal Government brought, as consequence, a number of nearly 50,000 casualties and a social climate of violence and distrust. How was this experienced by the men and women who fight this violence from the trenches of science? To the End of Reckoning tells through the eyes of the Jalisco Forensics Institute the development of this engagement, in one of the most violent states in the Country.
During 1950, Miguel Contreras Torres led a group of filmmakers to officially denounce William O. Jenkins' monopoly on film theaters, which was built throughout the country upon crime and corruption. Ever since, Uncle Miguel was ridiculed and eventually forgotten, but it is certain that his proclaim announced the separation of Mexican cinema and its audience. Discoveries may be found in the films made by Miguel, and bringing back to life these moving pictures might recover this history that was never told, a story that is almost lost and that Contreras Torres himself tried to pass on through his writings in The Black Book of Mexican Cinema.
In an unfair country women work day and night far from home while their children learn to survive between loneliness and emptiness. They grow to become teenagers, locked down in one of many low income neighborhoods made up of identical small houses, outlined by overcrowding and scarcity. Their mothers, mostly workers in transnational factories, go in and out in buses that take them to a work place where they carry out twelve hour shifts two hours away from home, while their children muddle through their upbringing in tiny houses of 40 square meters. In spite of everything, they look for a way to move ahead and chase their illusions. This is a story full of youthful aspirations set in a context of difficulties and shortages.
