
Narrator (voice)
Napoleon Bonaparte (uncredited)
Marshal Michel Ney (uncredited)

Madame Ney (uncredited)
Ney's Younger Son (uncredited)

Ney's Older Son (uncredited)

1914-1923 marked the 2nd phase of the Genocide of the Greeks of the Black Sea by the Young Turks. Agapi, her family, and the whole village’s Greek population are forced out of their homes and into a march in the snowy forest for 40 days. Will they survive the ordeal? A hand drawn animated film with over 10,000 drawings that took more than 3 years to make by Julia Speropoulos.

In 1968 Dennis Wilson of The Beach Boys met a dynamic and passionate singer/songwriter and introduced him to Hollywood. The two set out to record that artist's first professional album. The album became known as LIE. In 1969 this artist achieved incredible fame, but not for his music. The artist's name was Charles Manson.

A sickly scrawny man in a striped uniform takes a shaving brush and foam, and with a sharp blade, he shaves the back of the head of Rudolf Höss, the commandant of the Auschwitz camp himself. They will never speak with one another, and Joseph (we only learn his name during the credits) will never harm Höss, will not stop the flood of horrible murders with yet another murder. This short sketch about life of a death camp makes us feel pain and grief of millions of people who had passed beyond the walls of the shaving room during the imprisonment of Joseph, the man who outlived his torturer.

A group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.

A short film dedicated to the first female pilot Leyla Mammadbayova. Leyla Mammadbayova, in addition to being the first female pilot of Azerbaijan, also took her place in history as the second female paratrooper of the USSR. The film illuminates the life of Leyla Khanum, full of struggle, in the years 1930-1933. The difficulties faced by women in an environment full of deprivation during that period, Leyla's refusal to wear the veil, her determination despite the condemnation of society, her husband Bahram's support for her struggle, and how this support led Leyla further forward are artistically reflected in the film.

A kinetic prayer and structuralist intervention. Shot entirely on an iPhone 11 in a desolate Midwest laundromat, 108 spin documents the mechanics of impermanence. The film shifts from heavy turbulence to suspended repetition—not as a path to completion, but as a study of the loop itself. Featuring a layered soundscape, the work asks the viewer to stare into the rotation until the noise becomes a mantra.