Gegner nach Maß

A shopping center along a large highway is the scene of an apocalyptic musical. Animation with a strong sense of form set to auto-tuned music by Klungan. About liberation through great catastrophy.

One of the film stories based on the old Prague legends. This one is about the old master clock maker Hanus who construed the Prague Old Town astronomical clock. Master Hanus' clock started working for the first time in 1490 but did not tell the time for too long. Soon the master, blinded by the perfidious town councilors, stopped it for more than 200 years.

A film story based on the old Prague legends. It tells about a poor student lured by wealth, which he prefers to knowledge. In the end, he sells his soul to the evil powers. The Devil takes him to hell and since then there is a blackened hole on the ceiling of a Prague house.

Augusta watches sport on the television, mimicking the activities in a strange fashion.

Time moves rapidly for Augusta, much to her detriment.

Augusta Christmas special. The gifts she's bought aren't what they seem.

Legacy takes the audience on a rapid-fire journey through the evolution of the world, starting with a cosmic bang, evolving through billions of years of plants, animals and the creation of natural resources, ending with man and his bounty – “sitting on his world contemplating his coconut”. Preserved by the Academy Film Archive in 2012.

Two snails say farewell before a day's work

I turned my gaze to the various events in daily life and made this filmic diary in a manner as if confessing my feelings. Of course, since I was making the film, I wanted to depict these feelings and events with tricky techniques. I used various methods to shoot photographs of a relative's wedding, the landscape I see from window of my house, commemorative travel photographs and the like frame-by-frame.

The “Animated Hair” films, featuring artwork by “Marcus” (not well-known animator Sid Marcus, but a caricaturist for the original humorous Life Magazine) were relatively easy for the studio to produce, using one artist (his hand usually seen on screen drawing the image) and the gimmick of manipulating one caricature with stop motion to create a second caricature (usually by rearranging a hair-do). Audiences were thrilled. Fifty one “Animated Hair” shorts were produced between 1924 and 1927. (from: thekidshouldseethis.com/post/animated-hair-cartoon-no-18-1925)