Animation / Family / Fantasy
Nick is a caterpillar boy who, having overcome the taboo of the swamp, becomes a butterfly and, regardless of difficulties, strives for his dream - the Magic jade tree, where all the most beautiful butterflies of the world live. Dangerous trials, fun adventures, new friends and,…

No cast information available.

Marnie puts her magic on the line to get several Halloweentown teenagers transferred to her high school in the mortal world. But soon, Marnie and her new friends are in trouble and out of luck when the evil Knight Of The Iron Dagger appears. He's determined to destroy all things magical, and it's up to Marnie to save her high school, the human world and her magic.

While hiding from bullies in his school's attic, a young boy discovers the extraordinary land of Fantasia, through a magical book called The Neverending Story. The book tells the tale of Atreyu, a young warrior who, with the help of a luck dragon named Falkor, must save Fantasia from the destruction of The Nothing.

A grandmother tells her young grandchild the moving tale of a lonely girl and an unforgettable magical cat in this animated short narrated by Oscar®, Emmy and Tony award winner Maureen Stapleton. The film is based on a short story written by Dayal Kaur Khalsa and adapted by two-time Governor General's award recipient Tim Wynne-Jones.

Live performance, Bayerische Staatsoper, 2011. The Tales of Hoffmann (French: LES CONTES D'HOFFMANN) is an opéra fantastique by Jacques Offenbach that combines three short stories by E.T.A. Hoffmann into a haunting whole: a melancholy poet reflects on three women he loved and lost in the past: a mechanical performing doll, a Venetian courtesan, and the consumptive daughter of a celebrated composer. One of the questions this opera poses for any director is how to link the 'tales' of Hoffmann's three lost loves together and knit them satisfactorily into the Prologue and Epilogue. In this production, Richard Jones solves the puzzle by turning it into an autobiographical journey which ends with a grand meet-up of all the characters Hoffmann has encountered: for once, Hoffmann is not presented as a rollicking kind of drunken story-spinner, but rather a sad-eyed, sobered-up depressive, who reaches for the bottle only because his disastrous love life has gone wrong yet again.