To the New Girl

Viktor and Angelika are a straight couple. He is a professor of veterinary science and she has studied art history. Both are more interested in their hobbies and professions than in each other; also, Viktor isn't terribly interested in satisfying his wife anymore. Their upright relationship changes dramatically when Viktor gets to know Lotte, a former school friend of Angelika's. Back in school, Lotte would have done anything for Angelika.

In a seemingly easy theatre exercise, Rebeca, a young Roma woman, student at an elite acting school, is pushed to confront her biggest fear.

A 14-year-old pursues romance with a man while vacationing with her family in Switzerland.

Agnès Varda eloquently captures Paris in the sixties with this real-time portrait of a singer set adrift in the city as she awaits test results of a biopsy. A chronicle of the minutes of one woman’s life, Cléo from 5 to 7 is a spirited mix of vivid vérité and melodrama, featuring a score by Michel Legrand and cameos by Jean-Luc Godard and Anna Karina.

A non-binary teen is kicked out of their North Carolina home after coming out to their ultra-religious parents. As a result, they move in with their estranged sister and her husband. Though the two are welcoming, they continue to struggle with anxiety further exacerbated by their parents' rejection. As such, they try to keep a low profile at school. However, after they meet a proudly bisexual classmate, their life begins to look a little more hopeful.

While waiting for her divorce papers, a repressed literature professor finds herself unexpectedly attracted by a carefree, spirited young woman named Cay.

Beyond Silence is about a family and a young girl’s coming of age story. This German film looks into the lives of the deaf and at a story about the love for music. A girl who has always had to translate speech into sign language for her deaf parents yet when her love for playing music grows strong she must decide to continue doing something she cannot share with her parents.

A woman and her daughter struggle to make their way through the aftermath of the Balkan war.

Art film producer Jeremy Prokosch, unhappy with the work of his director, hires Fritz Lang (as himself) to direct an adaptation of The Odyssey, but when it seems that the legendary filmmaker is making a picture destined to bomb, he brings in a screenwriter to energise the script. The professional intersects with the personal when a rift develops between the writer and his wife.

Konia Markham, the daughter of an American father and a Hawaiian mother, is told by a sorceress that the man who presents her with a perfect white flower will be her true love. When Bob Rutherford offers a gardenia to Konia at a banquet, David Panuahi, a rejected suitor, becomes even more jealous and persuades Konia to have the kahuna put a death curse on Bob's fiancee, Ethel Granville. Bob's devotion to a failing Ethel softens Konia, however, and she has the curse removed. She is about to jump into a volcano when Bob, now released by Ethel from their engagement, finds her and declares his love.

Rahul Seth is a dashing young millionaire who believes he is "western" enough to rebel against his mother and grandmother. They are not too keen about his Caucasian girlfriend Kimberly who, to make matters worse, is a pop star. Before you can say "karmic intervention," Kimberly dies in a freak accident and Rahul is devastated. Instead of allowing him to mourn in peace, Rahul's mother sees the opportunity she's been waiting for. She threatens to call off his sister's wedding unless he finds himself a "nice Indian girl." Rahul enlists the services of Sue, a fiercely independent escort whom he believes to be Hispanic, and therefore not "married" to the conventions taught to young Indian women. With a wink in her eye, Sue accepts the deal to pose as his Indian bride-to-be. She needs the money and having never been a fan of the typical Indian male, she feels her heart is safe. The charade begins....

Stylized, black and white biography of Frances Farmer by author Lynne Tillman and Sheila McLauglin.