Comedy
The city chap arrives in a flivver and makes love to the daughter of the proprietor. The rival plays a strong hand but is not quite strong enough to regain the girl. Little brother plays his part with tact and gets the regulation quarter for allowing the spooners to be alone. An…

Brownie

Charlie
Smith

The Hotel Owner's Daughter

Young, introverted New York attorney Jimmie Pendleton is notoriously shy around women. Instead, he spends much of his time embarking on wild escapades with his friend, Herbert Austin. To fund these adventures, Jimmie frequently wires his eccentric Uncle Tobias in Kansabraska (a fictionalized Midwestern location) for emergency cash. Chaos ensues when Jimmie becomes engaged to Herbert’s sister, Mary. Following the engagement, Uncle Tobias unexpectedly arrives from the West. Jimmie is forced into a frantic, comical scramble to maintain appearances and conceal his true, wilder lifestyle—along with his careless spending habits—from his visiting uncle and his new in-laws.

Joe and Eve are engaged, but Joe cannot help contrasting the drabness of her attire with the dressy clothes of their friends. Eve overhears him talking of this and breaks with him. Then, with the help of her friend, Mazie, she metamorphoses into a ravishing beauty. Joe is remorseful, but the situation is made more complex when he suspects Eve of questionable relations with her boss.

A chaotic, night-long comedy ensues when a newlywed couple's celebration is interrupted by rowdy in-laws, a pet parrot that gets stuck inside the cooked turkey, and a series of slapstick mishaps. The turmoil is resolved when a perceived, romantic misunderstanding is revealed to be a secret surprise celebration for the husband's new contract and salary increase.

The background of this picture represents a scene along the beautiful river Seine in Paris. A gentleman enters, and taking a blackboard from the side of the picture, he draws on it a sketch of a novelist. Then, standing in the centre, he causes the living features of his sketch to appear in the place of his own, which is utterly devoid of whiskers. The change is made so mysteriously that the eye cannot notice it until one sees quite another person in the place of the first. Again another sketch is shown on the board, this one being that of a miser; then an English cockney; a comic character; a French policeman, and last of all, the grinning visage of Mephistopheles. It is almost impossible to give this film a more definite description; suffice it to say that it is something entirely new in motion pictures and is sure to please. (Méliès Catalog)