75e, elles se souviennent

Le serment d’Hippocrate follows the struggle of four immigrant doctors trying to find their place in the Quebec healthcare system. This film puts faces to the lives, journeys, and struggles of these unsung heroes who, nevertheless, had also taken the august Hippocratic Oath in their distant countries.

Panamanian women tell their struggle to overcome inequality and discrimination in the political and public sphere and for the right to universal suffrage which they obtained in 1946.

Outlawed in Pakistan tells the story of Kainat Soomro as she takes her rape case to Pakistan's deeply flawed court system in hopes of getting justice. The 13-year-old Kainat accuses four men of gang rape and shortly after is ordered to be killed by her village elders. Spanning over five years, the story is told through the perspective of Kainat and the four men accused of her rape.

Women are being jailed, physically violated and at risk of dying as a radical movement tightens its grip across America.

December 6, 1989. Sylvie Gagnon was attending her last day of classes at the University of Montreal's École Polytechnique, when Marc Lépine entered the building. Separating the women from the men, he opened fire on the women students, yelling 'You're all a bunch of feminists.' Sylvie survived, while fourteen other women were murdered. This video makes the connection between the massacre and male violence against women, setting the stage for an exploration of misogyny and sexism.

A mother embarks on a journey of acceptance and joy while supporting her child's gender transition in this heartfelt portrayal of single parenting and navigating the complexities surrounding gender and consent.

Filmmaker Anand Patwardhan looks to history and psychology as he delves into the possible reasons behind the demolition of the Babri Mosque.

This film is about the francization of Québec that has taken place since the Parti Québécois won power from the Liberals in 1976. It shows how the once powerful anglophone community is now questioning its very survival. It discusses some of the motivating forces behind Québécois nationalism. The film concludes by asking if the Canadian nation can survive if neither of its major language groups is welcome in the territory of the other.

Filmed in Victoriaville, the film uses images from various sources to paint a cynical portrait of the violent boredom that reigns in rural areas. Quiet sequences of people sharing joints by the river are followed by a lone car speeding along wooded roads, as if seeking speed on the brink of accident. Thuya abandons technical mastery in favor of intimate and spontaneous filming, composing a raw self-documentation of daily stagnation. Filmed mainly in a single day of improvisation, based on chance encounters and found footage.