Cast
Cast
Cast
Cast
Cast
It's Friday and everyone is going to the hottest new disco in Los Angeles. The Commodores are scheduled to play if Floyd shows up with the instruments and Nicole dreams of becoming a disco star. Other characters are there to win the dance contest, or to put a little excitement into a fifth anniversary.
The Endless River is the fifteenth studio album by British progressive rock band Pink Floyd. The Endless River has as its starting point the music that came from the 1993 Division Bell sessions, when David Gilmour, Rick Wright and Nick Mason played freely together at Britannia Row and Astoria studios. This was the first time they had done so since the ‘Wish You Were Here’ sessions in the seventies. Those sessions resulted in The Division Bell, the band’s last studio album.
An aspiring songwriter from a small steel town, Betty Mabry Davis arrived on the scene to break boundaries for women with her daring personality, iconic fashion style and outrageous funk. She befriended Jimi Hendrix and Sly Stone, wrote songs for the Chambers Brothers and The Commodores and married Miles Davis, turning him from jazz to funk and then went on to ignite stages in the 70s with her sassy sexed up mix of hard rock and bluesy funk, inspiring artists from Prince to Erykah Badu to Karen 0 and Peaches. Then she vanished…
The great alt-country band Uncle Tupelo played its last concert on May 1, 1994, at Mississippi Nights in St. Louis, Missouri. By the time of this show, Jeff Tweedy and Jay Farrar were already not getting along well. Soon after the performance, they would both go on to create other bands, with Farrar founding Son Volt and Tweedy forming Wilco, but on that night in May 1994, there was one last grasp at combined harmony and greatness. In the video below, Tweedy and Farrar trade off on the lead vocals, with drummer Mike Heidorn joining the band on the final song of the set, “Looking for a Way Out,” and also singing on the encore with Brian Henneman and the Bottle Rockets on Lynyrd Skynyrd’s “Gimme Three Steps.”
Once upon a time...it all began with Asleep at the Wheel. Willie Nelson may have done the original Austin City Limits pilot show, but "The Wheel" was the first act to perform on the first episode of the very first season in 1976. Over three decades later they still deliver their own special brand of jazz-inspired Western Swing to avid fans of every description coast-to-coast. The other half of the very first show also featured a historic reunion of the original members of Bob Wills Texas Playboys. What makes this particular program, recorded October 14, 1992, so special is that several of those original Playboys return to perform with Asleep at the Wheel. Pioneering electric guitarist Eldon Shamblin, singer Leon Rausch, pedal steel player Herb Remington and virtuoso fiddler Johnny Gimble wail away on such Wills' classics as "Corine, Corina," "Roly Poly," and "Blues for Dixie." Goosebumps are guaranteed.
Relive the highly successful Storyteller Tour - Stories in the Round, filmed at Underwood's sold-out Madison Square Garden show. The live concert features 17 of her 26 #1 singles, including "Church Bells," "Dirty Laundry," and "Something In The Water." 2016's top touring country female of the year took her critically-acclaimed world tour across nine countries, playing more than 100 shows for over one million fans.
At the heart of "Dreaming in America" is Lucero's story about that amazing thing, too often overlooked: a blue-collar rock group's struggle to survive. As the music industry has exploded over the past few decades and the ability to "move units" has become the defining calculus of the business, it's an incredibly emotional experience to see a band who does it because they have to, because their lives depend on it, and because they love it. There are hundreds of such bands criss-crossing the country at any given moment. This is a film about one of them-a band on the edge of greatness, working to break through. In a happy bit of rock kismet, "Dreaming in America's" cameras started rolling just as Lucero was breaking from its indie rock past and considering the treacherous leap to a major label deal unlike anything seen by the industry before. At that point, the band was between labels and, though it had sold north of 20,000 records.
