Filmed entirely inside Civitavecchia prison, with the inmates themselves as protagonists and co-authors, Fortezza is the reinterpretation of one of the most important novels of the 1900s: The Tartar Steppe by Dino Buzzati. Three soldiers arrive at a solitary military garrison…
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Chor Yuen started his directorial career with a bang. From its very first image, The Natural Son establishes Chor as a filmmaker of stylistic flourish, which would be sustained in various forms throughout his long tenure. Adapted from '30 cents' pulp fiction, it is a Kong Ngee melodrama made in the studio's mould, with Westernised characters and trendy middle-class lifestyles. Yet, Chor's first film is not exempt from the social urgency that characterises the Cantonese cinema of his father, Cheung Wood-yau. The film cloaks its entertainment in a moral deliberation on blood ties, its story about the raising of a bastard child a head-on challenge of archaic family values. An ostentatious start for a colourful and eventful career.

Adapted from the short story by Franz Kafka, The Judgment is a psychological drama exploring themes of alienation, memory, and the lines between fantasy and reality. The film follows Georg Bendemann, a young merchant living 1900s Prague, who is struggling to maintain balance in an ever changing world. As his situation deteriorates due to complicated familial relationships, we are compelled to question the very nature of what we are seeing.