Tent 113, Idomèni

A film about the unprecedented Swiss grassroots movement of regular citizens who rise to aid thousands of refugees stranded at the European borders. In rich and safe Switzerland people from all backgrounds leave their regular life behind to support people in need. There is a Swiss farmer and his wife who keep cows in the Swiss Alps, a former commander of the Swiss Army, an elder rich lady residing at the lakeside, and a successful comedian and entertainer. These unexperienced volunteers take on an adventure that will change their lives forever.

An intimate exploration of a Sydney-based artist Dyan Tai’s quest to create and celebrate queer Asian spaces through the transformative power of their art.

Enduring 28 days of relentless construction labor, Frank struggles to prep a house for painting amidst Phoenix's scorching pandemic summer.

A boy migrates from Guerrero to Colima in Mexico, guided by the illusion of his parents, who want him to study high school. Nevertheless, the inequality barriers force him to work as a sugarcane harvester.

Bakary, a young man from Mali, sits on a rock in a lake and pours a small packet of milk over his head and body. He then takes an egg, looks at it carefully and says “Monday”, after which he breaks it and drops the yolk into the water. He repeats this several times. Having followed all his marabout’s instructions to the letter, his next crossing should now be successful.

"While I'm Away" is a first-year student animated short. This short is about the sense of not fully belonging to one place, and missing the other one when you are away. The guilt of moving abroad in the first place. Being the first generation to do this in your family. The constant self-reassurance that you aren’t doing anything wrong but still having no idea how to navigate all this. Re-birth. Alienation. Growth. Guilt. Renewal. Envy.

We are, an Untold Story is a poetic documentary about undocumented women and their access to the health care in UK. The film is their stories of anger, fear and desire to access maternal health care in UK.

What would Jesus preach in the 21st century? Who would his disciples be? And how would today's society respond to the return of the Son of God? With The New Gospel, Milo Rau is staging a "Revolt of Dignity". Led by political activist Yvan Sagnet, the movement is fighting for the rights of migrants who came to Europe across the Mediterranean to be enslaved on the tomato fields in southern Italy and to live in ghettos under inhumane conditions.

"Everybody should have a home. If you punish a nation, this is so abstract, it's very mean to use your power to put another country in your control... Instead of punishment, maybe we should have love." Eliane from Chile, Milad from Iran, and Georgia from Greece, three migrants in the UK and their thoughts on love, home, family, and Shakespeare's Romeo and Juliet.

With analog and digital material collected during her stay on a "Work Trip" taking care of children in an American kindergarten as a migrant. I'm not speak English proposes —as a visual autobiography— to make visible a phantasmagorical light as a metaphor for the sudaca's bodies that work in invisible care task. Migrant bodies who bear as an imperceptible force the North American Nation.

The parallel stories of four Pakistani immigrants in Greece become the trigger for the director to explore the story of his father, a worker in the Perama Shipyard. The background unfolds a most deadly shipwreck, Libyan immigrants found in limbo, as well as a (possibly racist) crime, which was committed during the shooting of this film.