A House Without Curtains

Short documentary focused on the figure of Scaloni, the young coach of the Argentine national soccer team.

A Hezbollah suicide bomber breaks silence to reveal the inner workings of the organization and his involvement in a narcotrafficking alliance with the FARC. Discover the hidden agendas between Iran, Latin American governments and organized crime.

Buenos Aires is a complex, chaotic city. It has European style and a Latin American heart. It has oscillated between dictatorship and democracy for over a century, and its citizens have faced brutal oppression and economic disaster. Throughout all this, successive generations of activists and artists have taken to the streets of this city to express themselves through art. This has given the walls a powerful and symbolic role: they have become the city’s voice. This tradition of expression in public space, of art and activism interweaving, has made the streets of Buenos Aires into a riot of colour and communication, giving the world a lesson in how to make resistance beautiful.

Documentary about the Football World Cup held in Argentina in 1978, focusing on the competition and behind the scenes of the most important soccer competition in the world. Two versions of the 1978 official film exist, the first "Copa 78 - O Poder do Futebol" was made by Brazilian directors Maurício Sherman and Victor di Mello in 1979 but was later withdrawn by FIFA because of its controversial content. The film includes an interview with Rodolfo Galimberti, one of the leaders of the Montoneros guerrilla group and also made accusations that the Argentinian competition organisation committee had deliberately hindered Brazilian chances of success by tampering with the pitch at Mar del Plata.

Documentary about the life story of one of Argentina's sports idols. One of the forty-three soccer players who won a World Cup, a fight. Filmed in Mendoza, Santa Fé, Rosario and Buenos Aires.

This is one of the most beautiful rewilding stories of our time, that of Douglas and Kristine Tompkins, a couple of successful entrepreneurs – The North Face and Esprit – who decided to dedicate themselves to protecting vast territories in Patagonia. The results of their actions are astounding: in 30 years they enabled the creation and expansion of 18 national parks between Chile and Argentina, covering a total area of 7 million hectares, equivalent to the size of a country like Ireland. By transforming these spaces and reconstructing natural ecosystems, the development of these parks has also enabled the creation of social bonds, developed a new form of economic activity, brought forth a political space, and contributed to strengthening the population’s sense of belonging to their territories.

In the 2000s, Vicente Viloni and La Masa became legendary wrestling rivals and idols for kids across the country. The hit television show "100% Lucha" brought a spectacle of skill and drama to every home, forging a famous rivalry that transcended the screen, leaving a mark on national culture. After the conflict that separated them for ten years, they face each other in the ring and relive great moments from their careers.

"Stolen House" is a documentary short film that follows the migration story of Mark, a Russian photographer, and Katya, a Ukrainian artist, to Argentina. Through narrations, staged scenes, and archival material, fragments of their lives, feelings, and motivations are explored.

A detailed account of each of the details of the Malvinas War based on interviews, dramatic scenes, maps and other elements of historical roots without ignoring the historical antecedents from the 18th century that ended in this confrontation.

Three brothers and their seven children, dive into a land unknown for them. Only able to find interesting and not so interesting landscapes, the Velis family creates a fictional character, Mariano, dedicated to document their improvised situations in order to have a good time.

Through testimonies and images, the crude reality of human rights in Argentina in democracy is portrayed and the role of the hegemonic means of communication to make causes and protests invisible ...