TRAUMA

A story of a group of humanoid rabbits and their depressive, daily life. The plot includes Suzie ironing, Jane sitting on a couch, Jack walking in and out of the apartment, and the occasional solo singing number by Suzie or Jane. At one point the rabbits also make contact with their “leader”.

The film takes us through the working day of protagonists, factory workers. Their basic working tool is their body, ready to execute strenuous manual tasks. Day after day the same story, the same faces, the same spaces, the same tasks. Feeling confined, they seek a sheet anchor, a way out, an escape. They venture into the unknown, dance, drift and float in the air.

BEYOND integrates the latest in computer animation technology and artistry with original music from renowned composer Jan Hammer. The Mind's Eye, Miramar's first computer animation odyssey, has been described as a "modern Fantasia" - this video steps BEYOND.

Someone falls off the scene and a tree is upside down. In the search for the roots, people are torn from their usual order, while in the dark connections are made. A woman tastes of the primordial soup and we end up in a system of people spinning around themselves. Only one person remains alone, but he gets unexpected comfort from somewhere.

An unnamed passer-by is forced to trace a circular route inside an abandoned tram station, facing loss and time. The broken walls act as a channel, transmitting fragmentary, blurred and analogical memories. 

High Voltage is constructed from footage James Whitney contributed to Belson for use in one of his Vortex concerts.

While working underground to fix a water main, Brooklyn plumbers—and brothers—Mario and Luigi are transported down a mysterious pipe and wander into a magical new world. But when the brothers are separated, Mario embarks on an epic quest to find Luigi.

Witness to a murder in a dark, deserted underground station, an innocent chameleon must choose between being the killer or the savior—but does he really have a choice?

Horse ponders his loneliness.

In the unearthly world of E, hand-made meets hi-tech as characters appear to consume one another with their own, trafficked likenesses. Constructing her work entirely from laser-printed film stills (approximately 770 in total) lifted from Niklaus Schilling’s 1972 horror film, Nachtschatten, Zemlianski rips, layers, and paints these images with pastels and charcoal, then scans them back together into a bracing animation set to the eponymous song (“E”) by the Berlin-based band, Comb.

Eli and Kira, two junior members of the Guardian Force must grow up in a hurry when their first mission to earth takes a detour, pitting them against Morg, a deadly but long forgotten foe. In a race against time, the Guardians must uncover the source of Morg's power, defeat his crafty minions, and stop the ruin of a mortal life, all while learning to work together.