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American high school students from the privileged Silicon Valley travel to Manang, Nepal in this documentary about how travel and life experiences can change personal perceptions. Together with a group of Manangi high schoolers, the students expand their cultural knowledge and experience a slice of life as a citizen of the globe.

Decolonising the Curatorial Process is a forty-minute documentary which explores decolonial strategies in an academic and curatorial context. The film features academics, activists and practitioners, and contains case studies of institutions that are deploying critical, self-reflective forms of curatorial practice. The Museum of London Docklands exhibition on slavery and the sugar industry is examined as an example of how an institution can decolonise the curatorial process, utilise the work of artists in a museum context, and critically examine East London's imperial history. The Pitt Rivers museum in Oxford, who are working with Maasai activists from Kenya and Tanzania on a project centred on repatriating the museum's collection of sacred Maasai artefacts, also features in the film.

After reading I Am the Sultan of the Law of Existence by Youssef Idris, a five-day journey through Egypt’s Western Desert, traveling from north to south., covering 2,800 km and shooting for 35 hours, the expedition became both physical and existential. The desert’s vastness and silence echo the text’s meditation on the relationship between man, nature and the universe, transforming the landscape into an active force that reshapes perception and confronts the nature of existence.