Esperanza

General Alfredo Ovando Candia was a decisive figure in 20 th century Bolivian history. Through old home movies and institutional footage, Mauricio Ovando goes in search of the figure (and the shadow) of his grandfather, interweaving his history and History while going after an uncomfortable truth.

The story of a poor girl who leaves her starving family and sheep for a more prosperous village. Her grandfather finds her and tries to convince her to return to her home.

Bolivia after Chen begins in medias res, with a long shot filmed atop a truck traveling up the Bolivian mountains to transport tin miners. It is a place where union organizing is prohibited, and where women and men, sometimes even children, can work up to 24 hours a day. This was the situation in the mines until the fall of 1969, when a socialist military coup shook the country. The question of whether the situation would really change is what Lindqvist explores in his film.

Bolivia's Climbing Cholitas - a group of indigenous women scaling the Andes Mountains, some of the highest peaks in the world. Shot in Bolivia for Vogue Latin America and Vogue Mexico's 20th anniversary cover story.

Q-POP follows 23-year-old Quechua artist and viral sensation Lenin Tamayo, creator of “Q-Pop,” a genre that fuses K-Pop with Quechua, an Indigenous tongue that has endured for centuries but faces an uncertain future among younger generations. As his music gains national attention in Peru and begins attracting fans around the world, Lenin journeys from a working-class neighborhood outside Lima to the streets of Seoul, chasing a dream that once seemed impossible. Along the way, he takes on a mission larger than his own success: using pop music to help preserve and revitalize the language of his ancestors.

Danger, toil, and superstition pervade life in a mining town high up in the Bolivian mountains. Tin is the heartbeat of the community providing jobs and livelihoods - but at considerable cost. With deaths commonplace, people make offerings to El Tio, the devil under the earth, for protection and good fortune. But when the mountain's flow of tin ebbs, further measures must be taken...

For many years, the Swiss photographer Jean-Claude Wicky captured the world of Bolivian miners in photographs. When he discovered how strongly they reacted to his pictures, he decided to make a film. Black-and-white photographs alternate with film sequences, in which the miners talk about the harsh conditions of their everyday lives, while also rendering visible their pride, dignity, culture and dynamic traditions. Every day is night is first and foremost a testimonial of profoundly sincere human encounters based on respect, generosity and gratitude.

Photography trip to Bolivia filmed with a rostrum camera and edited with original sounds from the country.

Images of Argentinian companies and factories in the first light of day, seen from the inside of a car, while the director reads out documents in voiceover that reveals the collusion of the same concerns in the military dictatorship’s terror.