Eyna Bejnê

A man falls in love with a beautiful young woman and begins to suspect that he may have also loved her in a previous life.

Sivan Encü, a young Kurdish man, provided for his family by "smuggling" through the Turkish-Iraqi border. When he was murdered in the 2011 Robozik (Roboski) Massacre, the responsibility of family's welfare was taken over by his younger brother Sinan, who lost his life in an unfortunate accident. This is the story of their grief-stricken mother Heyam and her resilience. Alongside Heyam's struggle, the film brings the voices of Robozik elders and notables to the forefront, who have experienced first-hand the social, political and economic dimensions of smuggling, which has been the backbone of survival for the locals for many generations.

An essayist, he finds peace in his mountain life. His routine is pleasantly disturbed by occasional visits from Machiko, his editor and love interest, as he struggles to let go of his late wife's ashes.

Turtles Can Fly tells the story of a group of young children near the Turkey-Iraq border. They clean up mines and wait for the Saddam regime to fall.

In a snowy Kurdish mountain village, in the east of Turkey, an old woman Berfé and her granddaughter Jiyan are distressed. The only man in the household, Temo, the son of one and the father of the other, was arrested by the Turkish military. The commanding officer has been told that the villagers are hiding weapons, so he arrested all the men and announced that they will be kept in prison until their families hand over the weapons. The problem is that there are no weapons in the village. Desperate, Berfé and Jiyan embark on a long journey, in search of a gun which they could exchange for their beloved Temo. Will the old woman and her innocent granddaughter find a way out of the inextricable Kurdish identity conflict?

What might the confession of a person with body dysmorphia look like? Someone who hates absolutely everything about themselves, constantly comparing themselves to others. The protagonist of the film is surrounded by mirrors and convinced that she is the ugliest person on the planet. But will she be able to change her perception of herself?

The Kurdish Iraqi poet and actor Zeravan Khalil travels with his dog through an Alpine gorge after fleeing from IS war and genocide. As he remembers the abomination, he writes a poem with the title “You drive me mad” in Kurmanji Kurdish. In his home country, Yazidic Kurds are forbidden to work in his profession. Then he eats his apple and wanders through Europe’s middle with more hope.

A man comes to sit alone at an isolated bus stop. Followed by a stranger. Then they both converse about how they once killed someone.

Akam, a young literature teacher, lives a comfortable life in Oslo until his estranged uncle from the Iranian part of Kurdistan comes for a surprise visit. Despite limited space in his shared flat with friends, Akam feels obligated to invite his uncle to stay for a few days. However, his uncle quickly makes himself at home and shows no sign of leaving anytime soon. Torn between his sense of familial duty and growing tension in the flat, Akam begins to suspect there's more to his uncle's visit than just a casual trip. What follows is a series of revelations and unexpected events that could have life changing consequences for them both.

Rojda, a native of Iraqi Kurdistan and a soldier in the German army, travels to a refugee camp in Greece where she manages to meet her mother, who has bad news about her sister Dilan.

After losing his job in Mumbai, Tashi is compelled to return to his village in the remote interiors of Arunachal Pradesh. Waiting for news of any new job in the city, he struggles to get accustomed to life in his native place.

When five Kurdish prisoners are granted one week's home leave, they find to their dismay that they face continued oppression outside of prison from their families, the culture, and the government.