City of Men

As children in the loving Ekdahl family, Fanny and Alexander enjoy a happy life with their parents, who run a theater company. After their father dies unexpectedly, however, the siblings end up in a joyless home when their mother, Emilie, marries a stern bishop. The bleak situation gradually grows worse as the bishop becomes more controlling, but dedicated relatives make a valiant attempt to aid Emilie, Fanny and Alexander.

In 1980, an American journalist covering the Salvadoran Civil War becomes entangled with both the leftist guerrilla groups and the right-wing military dictatorship while trying to rescue his girlfriend and her children.

Heli Valkonen is desperately in love with her husband. But Matti is just not in the mood. He is only interested in playing computer games, dressed in worn out fleece pants. For him, a shoulder massage is the highest form of intimacy. When subtle hints, nice words and fetching clothes won't help, Heli resorts in direct, and increasingly direct action - in vain.

Two former geeks become 1980s punks, then party and go to concerts while deciding what to do with their lives.

On a garbage dump, people try to make a living in the poorest of conditions.

A widower and his daughter deal with the death of the man's wife.

As Constance (Natasha Richardson) and Nina (Toni Collette) gather at the deathbed of their mother, Ann (Vanessa Redgrave), they learn for the first time that their mother lived an entire other lifetime during one evening 50 years ago. In vivid flashbacks, the young Ann (Claire Daines) spends one night with a man named Harris (Patrick Wilson), who was the love of her life.

A young widow discovers that her late husband has left her 10 messages intended to help ease her pain and start a new life.

Robert Neville is a scientist who was unable to stop the spread of the terrible virus that was incurable and man-made. Immune, Neville is now the last human survivor in what is left of New York City and perhaps the world. For three years, Neville has faithfully sent out daily radio messages, desperate to find any other survivors who might be out there. But he is not alone.

Marcelline is an actress. Forty, single and childless, she begins rehearsals for Turgenev’s A Month in the Country. Denis, the director, admires her greatly and promises he’ll make her happy on stage — she will shine. But things don’t go to plan.

A worried father tries to end the relationship that his son Andries has with the wife of a wrestler.