The Big Noise

Gaston is a new guy at the Peticoin start-up. With his delusional inventions, he will change the lives of his colleagues. Cat, seagull, cow, and gaffophone will be at the center of the mishaps of this genius laidback handyman who wants only to do good, but has the gift of annoying Prunelle, his boss. Can those Gaston's gaffes galore prevent the buy-out of the Peticoin by Mr. de Mesmaeker?

A janitor at an alien night-club gets his wish to be a singer.

A POW in World War II is put to work in a Munich zoo, looking after an Asian elephant. The zoo is bombed by the Americans and the director of the zoo decides it is not safe for his Asian elephant Lucy to remain there. So he sends Brooks to safety with Lucy. They escape and go on the run in order to get to Switzerland.

The first Greek animated film was shot by the cartoonist Stamatis Polenakis (1908-1997) with the title "The Duce tells...". The seven-minute "Mickey-Mouse-style" film, as its creator mentions in the credits, satirizes the Italian invasion of Greece on October 28, 1940, and especially Mussolini, who recounts his exploits, but reality constantly contradicts him. Stamatis Polenakis, one of the leading Greek cartoonists of the 20th century and a pioneer of animation in our country, began drawing the sketches for the film in 1942 in his hometown, Sifnos, where he had taken refuge during the Occupation. He worked under the boot of the Italian conqueror, risking arrest. The film was lost during the Civil War and it was not until 1980 that a negative was found and restored.

Helped by her self-made flying mechanical creatures, a young inventor and an enigmatic pint-sized superhero defeat the town bullies and find an unexpected friendship.

Relaxing with a carrot at a U.S. Army air field, Bugs is reading "Victory Through Hare Power" and scoffs at the notion of mentioned gremlins, little creatures who wreak havoc on planes with their diabolical sabotage.

During the World War II, the prisoners of a German camp in a Greek island are trying to escape. They not only want their freedom, but also seek an ineffable treasure hidden in a monastery at the summit of the island's mountain.

This pre-Code comedy-thriller centers on Robert Holden, a broke and discouraged veteran, who meets fellow American Elinor Green at a cafe in Paris. After their first encounter, Holden's attempt to return Green's thought-to-be stolen purse ends up rendering him a stowaway on board a ship bound for America. Also aboard is a collection of characters, including Green's banker fiancé, a famed scientist, and an opera singer. Romance begins to blossom between Holden and Green, just as a radiogram claims that an “infernal machine,” or bomb, is aboard the ship. Quickly each passenger accuses the others of planting the bomb until eventually Holden, jealous of Green's attention to her undeserving fiancé, falsely admits to being the culprit. In his role as assumed perpetrator, Holden tests the group further.

After World War II, Antonia and her daughter, Danielle, go back to their Dutch hometown, where Antonia's late mother has bestowed a small farm upon her. There, Antonia settles down and joins a tightly-knit but unusual community. Those around her include quirky friend Crooked Finger, would-be suitor Bas and, eventually for Antonia, a granddaughter and great-granddaughter who help create a strong family of empowered women.

A man becomes increasingly jealous of his friend's newfound success.

Cabbie-turned-chauffeur Jimmy Tong learns there is really only one rule when you work for playboy millionaire Clark Devlin : Never touch Devlin's prized tuxedo. But when Devlin is temporarily put out of commission in an explosive accident, Jimmy puts on the tux and soon discovers that this extraordinary suit may be more black belt than black tie. Paired with a partner as inexperienced as he is, Jimmy becomes an unwitting secret agent.

Recently widowed well-to-do Laura Henderson purchases the Windmill Theatre in London as a post-widowhood hobby. After starting an innovative continuous variety review, which is copied by other theaters, they begin to lose money. Mrs Henderson suggests they add risqué burlesque acts similar to the Moulin Rouge in Paris.