Mirage

Three alien women with futuristic sound headgear walk around enclosed spaces engulfed in sand. They are connected by their common ability to listen to the stories of migrant Venezuelan women abandoned objects carry.

Chronicles of a male homosexual drug addict in 1980's in voice-over with long take scenes from Rome, television snippets of news of Gulf War and commercials.

A metaphor of the Flood in our times, The Flood is the rain of violence that washes over us. Noah´s Ark is the train that runs through Mexico toward the United States and migrants are the species attempting to save their lives. For the directors, cinema moves people not just by condemnation, but by confronting and fostering emotions which lead to new, constructive ideas. This documentary became a cinematographic diary for their first viewer, their three-year-old daughter, Zafirah.

Johan van der Keuken went against the grain in 1980: from Amsterdam (on April 30 with the coronation riots and squatting actions) via Paris, southern France and Italy to Egypt. He made his personal travelogue in three parts for VPRO television. Later, he fused the three parts into one long movie.

Brair Kani explores an ancestral house located in Srinagar, Kashmir. Using the attic as a site of reflection, the film navigates the relationship between space, belonging and personal history. Inhabiting the confines of the attic, the house spirits exist simultaneously as carriers of collective memory and as manifestations of the emotional landscape.

In the Mediterranean, the sea on which our civilization was founded, miles of refugees await Europe to welcome them. "Stranded" approaches the daily life of these long-term refugees, in occupied buildings or in refugee camps At the gates of Europe these people try to keep hope alive while they live.

Α quarter of the global population of school age lives in war zones or disaster areas. Fewer than one in four underage refugees attends secondary school. Only one in twenty enrolls for university. Less than two per cent of global humanitarian aid is spent on education. This is the story of four refugee children living in different countries, and a documentation of their daily struggle to obtain a formal education.

In the midst of economic prosperity, when Venezuela welcomed millions of migrants, this documentary narrates different realities of the country.

Amir, shot during the height of the Afghan civil war in the 1980s, investigates and portrays the life of Afghan refugees living in and around the city of Peshawar in northern Pakistan through the experiences of the musician Amir. The aspirations of Afghan refugees are expressed through their political songs dealing with the civil war in Afghanistan, with exile, with Afghan nationalism and with the Islamic revolution. In highly charged and tragic circumstances, music can be used in very direct ways, both to promote solidarity and as an agent of catharsis.

The story of Ahmed Albarjo, a man living in Malta struggling to secure Refugee Status. Made in collaboration with Spark 15 and RAAH.