Comedy
Phyllis Diller’s brand of comedy is as timeless today as it was in the 1960s, when she became a regular on popular variety and talk shows. From her outrageous costumes to wildly teased hair, Diller was a pioneer among female comediennes, paving the way for future stars. Who can…


Self (archive footage)

Self (archive footage)

Self (archive footage)

Self (archive footage)
Self (archive footage)

Self (archive footage)

Self (archive footage)


When professor Lippzigger dies, his favorite student Mark inherits the key to his secret laboratory. There he and his friend Jay find the hundreds of years old body of Frankenstein - and revive it. But where to go with him? They take him with them to their dorms. He's dumb as a brick, but makes it into their football team and becomes popular. If there only wasn't Prof. Loman, who wants to become famous with Lipp's inventions...

Twelve skits in six minutes: the first one and the final three are about sex, in between are sketches of blood, death, murder, truck crashes, a tough day on the toilet, a slip on a banana peel, and an omnivorous Elvis. In several vignettes, Plympton draws on the essentially comic image of men wearing jackets and ties in a world gone awry. Women, who don't appear all that often, cheerfully participate in the sex and don't hang around for the violence.

Swedish efficiency researchers come to Norway for a study of Norwegian men, to optimize their use of their kitchen. Folke Nilsson (Tomas Norström) is assigned to study the habits of Isak Bjørvik (Joachim Calmeyer). By the rules of the research institute, Folke has to sit on an umpire's chair in Isak's kitchen and observe him from there, but never talk to him. Isak stops using his kitchen and observes Folke through a hole in the ceiling instead. However, the two lonely men slowly overcome the initial post-war Norwegian-Swede distrust and become friends.
Self (archive footage)

Self (archive footage)