Shell

George Lutz, his wife Kathy, and their three children have just moved into a beautiful, and improbably cheap, Dutch colonial mansion nestled in the sleepy coastal town of Amityville, Long Island. However, their dream home is concealing a horrific past and soon each member of the Lutz family is plagued with increasingly strange and violent visions and impulses.

Michael King asks occultists to summon all evil spirits to prove his point that they do not exist. But something goes wrong and he becomes a danger to everyone.

Tina Shepard, a telekinetic teenage girl, accidentally unchains Jason from his watery grave, allowing him to go on another killing spree in the area.

When David, Juliet, and Alex find their new roommate dead with a large sum of money, they agree to hide the body and keep the cash. However, this newfound fortune gradually corrodes their friendship.

Cynical bodyguard Jericho is hired by a man possessed by Satan, who is in search of his bride. When Jericho realizes what is happening, he must do everything he can to save the woman and the world.

When a comet passes close to the earth, machines all over the world come alive and go on homicidal rampages. A group of people at a desolate truck stop are held hostage by a gang of murderous 18-wheelers. The frightened people set out to defeat the killer machines…Or be killed by them.

Kidnapping by Indians is a 1899 British silent short Western film, made by the Mitchell and Kenyon film company, shot in Blackburn, England. It is believed to be the first Western film, pre-dating Edwin S. Porter's The Great Train Robbery by four years.

Wealthy slacker Mark, his new girlfriend Sarah, and their friends, are invited to a special showing at a mysterious wax museum which displays eighteen of the most evil men of all time. After his ex-girlfriend and another friend disappear, Mark becomes suspicious…

The janitor at a local high school is actually the scout for a coven of Satanists on the lookout for a virgin to sacrifice. One day he kidnaps the cheerleading squad to use for their rituals. However, unbeknownst to the devil-worshipers, one of the cheerleaders is actually a witch, and has plans of her own for the Satanists.

When St. Vincent sets out to make a documentary about her music, the goal is to both reveal and revel in the unadorned truth behind her on-stage persona. But when she hires a close friend to direct, notions of reality, identity, and authenticity grow increasingly distorted and bizarre.

Created in response to a traumatic hate crime, artist, Venus Patel, explores her emotional journey through several archetypes, each of whom perform with an egg. Using the weapon of the assailant, the egg itself becomes a tool with many psychological and symbolic meanings within it. The power of reincarnation, birth, nature, hope while also pointing to the power it has to utterly humiliate and embarrass if used in a certain way. There is an embrace of the absurdity of these performances while still speaking to the deeper subject matter. By placing the outlandish characters into public spaces, they confront a preconceived notion of pushing true queer expression into only hidden spaces or only at night, into the daylight and into the normal everyday experience.

Investigating the mysterious deaths of a number of farm animals, vet Rack Hansen discovers that his town lies in the path of hordes of migrating tarantulas. Before he can take action, the streets are overrun by killer spiders, trapping a small group of townsfolk in a remote hotel.