
Gérard Philipe
Amedeo Modigliani
Biographic film chronicling the last year of the life of the Italian painter Amedeo Modigliani, 1919, who falls in love with a girl from a wealthy family. Her parents are against this relationship and stop financial help. Modigliani worked and died in abject poverty in the…

Amedeo Modigliani

Béatrice Hastings

Rosalie

Léopold Sborowsky

Morel

Jeanne Hébuterne

Anna Zborowsky

Lulu


Free adaptation of the book "The Pitesti phenomenon" by Paul Goma. The last days of World War II. All people resembling Adolf Hitler, Eva Braun, Goebbels, Bormann and other Nazi leaders are arrested and taken to a camp so that the real fascist criminals can be discovered and punished. Thus begins the long nightmare of these characters, who will suffer for unproven crimes. For a year they will live in total isolation from the rest of the world, living a hellish existence.

With friends like these, who needs enemies? That's the question bad guy Porter is left asking after his wife and partner steal his heist money and leave him for dead -- or so they think. Five months and an endless reservoir of bitterness later, Porter's partners and the crooked cops on his tail learn how bad payback can be.

In 1943, as Hitler continues to wage war across Europe, a group of college students mount an underground resistance movement in Munich. Dedicated expressly to the downfall of the monolithic Third Reich war machine, they call themselves the White Rose. One of its few female members, Sophie Scholl is captured during a dangerous mission to distribute pamphlets on campus with her brother Hans. Unwavering in her convictions and loyalty to the White Rose, her cross-examination by the Gestapo quickly escalates into a searing test of wills as Scholl delivers a passionate call to freedom and personal responsibility.

Germany in the autumn of 1957: Lola, a seductive cabaret singer-prostitute exults in her power as a temptress of men, but she wants out—she wants money, property, and love. Pitting a corrupt building contractor against the new straight-arrow building commissioner, Lola launches an outrageous plan to elevate herself in a world where everything, and everyone, is for sale. Shot in childlike candy colors, Fassbinder’s homage to Josef von Sternberg’s classic The Blue Angel stands as a satiric tribute to capitalism.
Madame Salomon - la Concierge

Berthe Weill

un étudiant peintre (uncredited)

Catherine - la serveuse du café