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After hearing about a Brazilian folklore party at the neighborhood school, Fernando, an 8-year-old child, decides to go dressed as Curupira, with a skirt and everything, and suggests it to his grandfather, Mr. Lino, 70 years old. The dynamics between grandfather and grandson begin to be affected as Lino perceives Fernando to be a different child. Through subtleties in the dialogues and the silence, social conventions and the responsibility of being the guardian-protector of something precious, the film evokes conceptions of the masculine within a queer childhood.

The musical “Se Essa Lua Fosse Minha” tells the story of a people who abandon their land in search of a place to build a new tomorrow. Upon reaching the island of Porto Leste, they discover that the place is already inhabited by another people with conflicting beliefs and cultures, making a division of the land indispensable in order to avoid a war. However, when residents of opposite sides begin a forbidden romance, not even a clash between peoples can separate two passionate hearts.
South Korean cinema is in the throes of a creative explosion where mavericks are encouraged and masters are venerated. But from where has this phenomenon emerged? What is the culture that has yielded this range of filmmakers? With The Nine Lives of Korean Cinema, French critic, writer and documentarian Hubert Niogret provides a broad overview but, nevertheless, an excellent entry point into this unique type of national cinema that still remains a mystery for many people. The product of a troubled social and political history, Korean cinema sports an identity that is unique in much modern film. Niogret's documentary tells of the country's cinematic history - the ups along with the downs - and gives further voice to the artists striving to express their concerns, fears and aspirations.