Documentary
Yuguo, from Mongolia, lost his father when he was very young. His mother Liuxia was not able to raise him as a heavy drinker. With social support, she sent Yuguo to Wuxi for free education. Liuxia is depressed all day long, and she finds sustenance of missing Yuguo in reindeer…
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In a cold mountain village in northeastern China,when a peasant gets sick they invite the local shaman to do trance healing. In the village there is Shaman XU, a renowned shaman in the area who is almost 70-year-old. He had been a teacher in his youth and an accountant for a factory production team. In his later age, serving as a spirit medium became his profession. He beats his donkey-hide drum and sings ancient melodies, inviting all kind of spirits to come.
Six life stories of German, Austrian and Ashkenazi Jews which intersect in exile in Shanghai. Out of narratives, photographs, documents and new images of the biggest and most contradictory metropolis of the Far East an entity develops in which the historic exile takes and turns on a completely current power and appeal.
After 30 years of cold war, Taiwan and China finally opened cross-strait trade and tourism in 1980. However, through decades of political and educational vilification of their counterparts by the KMT and CCP, and despite close economic and cultural ties, what lies beneath the diplomatic relations is a disconnect and mistrust that cannot be denied. KE is a failed business in Taiwan who hopes to start over as a 'Taiwanese Expat' in Shenzheng, China with a Taiwanese company. Lili, a laborer from China, meets her Taiwanese husband online and moves to Taiwan in hopes of a better life. Both KE and Lili cross the straits in hope of achieving what they cannot find in their homeland. But how much do they really know about that country across the straits?
Yu Guangyi's stunning debut explores a grueling winter amongst loggers in Northeast China as they employ traditional practices through one last, fateful expedition. For generations, the lumberjacks of Heilongjiang, China have made their living harvesting timber amidst a barren, wintry landscape. These woodcutters confront the elements, living in makeshift cabins surrounded by snow and ice. Hand tools, sleds and horses are the only technology they employ to drag massive trees down the perilous slopes of Black Bear Valley. At constant risk of injury and death, they attempt to appease the mountain gods with ancient rituals and sacrifices. Despite their heroic efforts to subsist, the deforestation caused by their decades-long customs may lead to their ultimate demise.
Director's Statement This film describes the story of small people on the margins of society, focusing on two groups, one is a cancer hotel, and the other is test drug patients. These people have no life, just to live. Xiaoyan, who has cancer, lives in a small hotel and waits for a bed in the hospital. Their simple understanding is: being able to live in the hospital represents a chance of life. In order to survive, I waited for more than two months, and finally, it was my turn to be hospitalized, but most of the hospitalization fees raised at the beginning were used to buy medicine. Zi Xiu, who took care of Xiaoyan, had to join the drug testing industry. In exchange for Xiaoyan’s chance of survival. In the film, scammers defrauded life-saving money for cancer patients, unfilial men refused to treat the elderly and maliciously deducted commissions from testers and other heinous behaviors. The rhythm of the film is like an illness tormenting patients, slow and profound.
The film is director Gao Zipeng’s first fiction film which takes three years to complete. It premieres on March 27, 2001 in UCCA and stars the poet A Jian, Xiao Zhao and the writer Gou Zi. The film is based on a true crime of disappearance. It creates an atmosphere of what Ma Zhiyuan, a celebrated poet and playwright of Yuan Dynasty, portrays in his famous poem “Autumn Thoughts”: Over old trees wreathed with rotten vines fly evening crows/ Under a small bridge near a cottage a stream flows/ On ancient road in the west wind a lean horse goes/ Westward declines the sun/ Far, far from home is the heartbroken one.
Two Uigur brothers and a friend are in love with parkour, a kind of extreme sport. Regardless of opposition from their worried mothers, the boys train themselves to be the best in an upcoming parkour event in Beijing while managing to iron out additional difficulties. They lose the game, but eventually they learn much more about their true selves.
The film explores the hidden face of poverty in one of the world's most affluent and capitalistic cities. Directed by CHEUNG King Wai (KJ: Music and Life), the film follows five Hong Kong families of different backgrounds that receive government subsidies. How do the poor get by in a glossy city that flaunts conspicuous consumption and hides poverty in cavernous public housing estates? All's Right With The World shares the different stories of these low-income families, their daily living conditions, and their ways of celebrating Chinese New Year.
Taiwan's democracy is the envy of Chinese people all over the world. At the same time, when this two-party system-'blue' and 'green'-get at each other's throats, it seems to cast a dark cloud over this beacon of advancing democratization. How does the young generation, many of them first time voters, feel about the political environment they've inherited? Will they allow for their political differences to drive a deeper wedge into the Taiwanese society? A year and a half before Taiwan's 2012 Presidential Election I gathered a group of young people from across the blue and green spectrum to participate in a political dialogue. Although they're from opposing parties, they were willing to talk politics. Through these deliberately arranged dialogues, what sparks will fly?
