O Alence a káčeti

A group of four women band together to make rock climbing more accessible in Banff. Every run is a puzzle waiting to be solved, and if the Crush Collective has anything to do with it, gender norms will not be part of the equation.

In the dressing room of the French cinema, minutes before attending a lecture, François Truffaut recalls his trajectory

The story behind the translation and performance of Shakespeare's "Hamlet" in Klingon.

A 4-year-old girl cries, lost in the city. A Soviet soldier on a ferry takes her in and takes her to her home village.

Described in the 70’s as "A Chorus Line for gay people," Crimes Against Nature remains vital today as a communal disclosure of roles that gay people adopt in order to survive in a world that devalues homosexual feelings. It features individual actors delivering revealing monologues, during which the other members of the collective play background roles (parents, schoolmates, etc.). One by one, the actors detail the ways in which they have buried their true selves in order to survive and be accepted in the world: repression, drug use, shyness, being agreeable, putting experiences into "little boxes," acting "butch," and so on.

Here's a strange one. First, a song on a blackboard: a Polish translation of “I love my little rooster” by American folk writer Almeda Riddle. Then, two men roll around trash bins and lift them to the garbage truck. They do it several times. A woman shouts in the distance. At the end, the picture stops, and the woman sings the song. An early short by Piotr Szulkin.

Madrid, Spain, 1949. The Circo Americano arrives in the city. While the big top is pitched in a vacant lot, the troupe parades through the grand avenues: the band, a witty impersonator, the Balodys, acrobats, jugglers, acrobatic skaters, clowns and… Buffallo Bill.