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A newlywed fears she's going mad when strange things start happening at the family mansion.

Vincent LaMarca is a dedicated and well-respected New York City police detective who has gone to great lengths to distance himself from his past, but then makes the terrible discovery that his own son has fallen into a life of crime.

After surviving a gang rape and mugging, a businesswoman and her younger boyfriend plot to murder their attackers, but find themselves conflicted about carrying out their plans.

A deranged female serial killer stalks seven young people whom phone a radio call-in show to discuss their darkest fears and a night-long game of cat-and-mouse is put into motion by the darkly sinister-looking murderess.

Three college students, Phil, Ed, and Henry take a road trip into Mexico for a week of drinking and carefree fun only to have Phil find himself a captive of a group of satanic Mexican drug smugglers who kill tourists and whom are looking for a group of new ones to prepare for a sacrifice.

A family moves into a large old mansion in the countryside which seems to have a mysterious and sinister power over its new residents.

The clues to a young woman's death come together as the lives of seemingly unrelated women begin to intersect.

Jordan White and Amy Blue, two troubled teens, pick up an adolescent drifter, Xavier Red. Together, the threesome embarks on a sex- and violence-filled journey through a United States of psychos and quickie marts.

A withdrawn young man, Leland Fitzgerald is imprisoned for the murder of a mentally disabled boy, who also happened to be the brother of his girlfriend, Becky. As the community struggles to deal with the killing, Pearl Madison, a teacher at the prison, decides to write about Leland's case. Meanwhile, others affected by the murder, including Becky and her sister, Julie, must contend with their own problems.

And On That Day, written and directed by John Henry Soto, is a quietly powerful short film about what happens when a lifetime of silence reaches its breaking point. Robert has spent thirty years doing what’s expected—showing up to work, keeping his thoughts to himself, and living within restraint. On his final day before retirement, a simple farewell speech becomes something far more personal, carrying the weight of decades of unspoken truth. Soto trusts subtlety over spectacle. Small gestures, pauses, and expressions create tension, allowing the audience to feel the pressure of time closing in on a single moment. The performance feels grounded and human, making Robert instantly recognizable rather than dramatic or idealized. Clean visuals and measured pacing mirror Robert’s inner state, letting the film’s final moments resonate naturally. At its core, And On That Day asks a timeless question: what do we lose—or gain—by staying silent for so long?

World War II has ended, yet a terror still grips the streets. Lead Detective Hank Murphy and partner Joe Branka have exhausted all leads and case files in their search of a ruthless serial killer that is stalking the city streets and killing with no mercy while hiding in the shadows. With the victims increasing by the day and the press coverage adding pressure to the investigation, an unexpected call from a mysterious stranger may be what the Detectives need to close the case and catch the killer.

Two veteran New York City detectives work to identify the possible connection between a recent murder and a case they believe they solved years ago; is there a serial killer on the loose, and did they perhaps put the wrong person behind bars?