Amis

Hired to helm an Americanized take on a British play, director Lloyd Fellowes does his best to control an eccentric group of stage actors. With a star actress quickly passing her prime, a male lead with no confidence, and a bit actor that's rarely sober, chaos ensues in the lead up to a Broadway premiere.

A staging of Martin Lamotte and Christian Clavier’s play “Papy fait de la résistance” by Serge Postigo.

In his show La formidable ascension sociale temporaire de G. Verstraeten (The Temporary Social Rise of G. Verstraeten), Guillermo Guiz, whose real name is Guy Verstraeten, reflects on his own journey and on what he sees as problematic in today's society. The main theme of his one-man show is gentrification and how to deal with it in relation to one's desire for social justice.

Members of an otherwise typical New York Brooklyn family are "tortured" by a kind of hereditary madness. In the meantime, the adopted nephew Mortimer tries to do everything to protect his two aunts, who indulge in a variety of dangerous acts, such as poisoning lonely and homeless elderly people, and burying them in the basement of their house. When another niece, Jonathan, arrives, the situation will spiral out of control. The play was released on DVD by Radiotileorasi magazine in December 2010 (78th DVD of the "ERT Cultural Film Archive" series).

In their songs, comedy and exuberant music, a travelling theatre company give a fiercely polemic account of Scottish history, from the aftermath of Culloden to the oil boom. Their production before a live audience is intercut with filmed reconstructions of the Highland Clearances and the Victorian obsession with hunting stags.

Wrongly accused of physically abusing a fellow actor, starving thespians Arthur and Maurice find themselves pursued by the law aboard a cruise ship.

Subversive hero or vile predator? Don Juan has appeared throughout history in many guises. Macha Makeïeff highlights the psychological and societal aspects of the character: desire, domination, and human darkness, which she contrasts with liberating and destructive laughter.