#FBF

Fresh out of a long term, serious breakup, Lane Woods chooses to work through (read as: distract himself from) his feelings by making a documentary about his attempts to get back out there and find a new love. With the help of his younger brother, Colin, Lane films himself as he goes on countless dates, hoping to catch those first sparks of love on film, instead he ends up documenting something much closer to reality.

Four college students from Shandong University of Technology planned to make a documentary about the folk culture of ghosts and spirits. They went to a village in Heze City, Shandong Province, and made some interviews with local villagers. During the interviews, they heard a lot of local weird tales. The shooting of the documentary went smoothly, and that night, they chose to stay in the village. At this point, strange things, however, began to happen...

Set in the near future, a student accidentally discovers old photographs of the same stretch of beach taken by school students over the past 65 years. The temporal distance between the old photos and the protagonist immediately creates a sense of disorientation. In a sort of time loop, we witness successive generations, all drawn to the same thematic focal point.

Guillermo travels to the countryside to take care of Héctor, his sick father for three nights. Upon his arrival, Guillermo finds that Héctor's condition changes at night, in which, in turn, something coming from the sky seems to approach.

In April 1985, I started to make a film with my friend Kamioka as the main character. But even after three months, the whole film was still unknown. I started to work alone with the camera. One day, the rabbit he keeps at home gives birth to a stillborn baby. As he buries her under a tree in the garden, it made me think of his father, who died the year before. He is no longer with us, but only the gaze he left behind. And so I set off on a journey. In a town in the Hokuriku region, he met a woman who once appeared in one of his films. When I dozed off on the train to Tokyo, she appeared to me in a dream and tells me that I will soon find the exit. Back in Tokyo, I told Kamioka that I'm going to start filming again. I came back into the room, turned on the microphone and pressed the flame against the lens.

Pseudo-documentary style drama about drug addicts. In Kyiv, a dealer named Baroque receives an unknown psychedelic that opens access to another dimension.

Li Chih-cheng, a C-list Taiwanese actor, is hand-picked by a renowned Chinese director to star in a project during the pandemic. On his last day of self-isolation in Shanghai, he discovers he has a fever. Worse still, he must make a decision between his wife in Taiwan and mistress in China over video call. But as it turns out, everyone has a hidden identity and secret. In order to make it through, Chih-cheng must deliver the performance of a lifetime.

In a medieval Dutch village, a young woman is caught between her faith, fanatic townsfolk and the dark forces lurking in the woods.

A group of perfectly intelligent young people decide to react to society's cult of aimless, non-creative and non-responsible form intellect by living together in a community of 'idiots'. Their primary activity becomes going out into the world of 'normal' people and pretending to be mentally incompetent. They take advantage of this situation to create anarchy, and, by every possible means, to make those around them miserable.

'#babynymph' is the definitive portrait of this generation, who believes that happiness only exists if it is shared on the web.

Beckoning the Butcher explores the night Chris Shaw and his four friends summoned a spirit into their holiday house - then disappeared forever.

Paula (23) is forced to deal with her own grief and loneliness after that she lost her loving partner, Natalia (22). She spends everyday with herself trying to survive. Depression and nostalgia overwhelms her, but Paula always find a way to escape with drugs. This usually works, but her memories won't let her be free from pain forever.