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What if from one day to the next, you’re no longer seen, but instead are stared at? The leading characters in this multi-layered film have ended up in a new world where suddenly nothing seems to align. In their new lives in the Netherlands, they unintentionally provoke reactions on a daily basis. Even after many years, they still hear the same questions over and over again: where are you from, do you speak Dutch, do you tan in the sun?

The film's protagonists are the orphaned children taken into custody by the state and institutionalized at Children's House no. 6 from Bucharest. For Mészáros, the concern for the situation of children left orphaned during the Second World War is autobiographical: the director directly experienced the absence of parents in her own childhood.
An exposed Cumbrian village by the sea surrounded by windmills, fields and factories provides a striking setting for this fairy tale of young love and the loss of childhood innocence. Over one year, the film follows the 9 year-old Laura Anne and her 11 year-old cousin, Steven as they move towards the end of their childhoods. The narrative is told in rhyme by the young female protagonist. As time passes and the seasons change, feelings and memories from all our childhoods are evoked and we wonder what time will make of Laura Anne and Steven.

Tunahaki is the extraordinary story of nine gifted orphans who are acrobats. We follow their journey as an American volunteer takes them from Africa to study with Cirque du Soleil in Las Vegas. They end up touring the States and raising hundreds of thousands of dollars, more than enough to build a permanent home. But how have the kids' experiences in America affected them? And how will it change things back home in Tanzania? Tunahaki's heartfelt journey gives us something new to ponder as we reach across the world to help those less fortunate—is it always the right thing to do?