Loading titles…
Himself
Himself
Himself
Himself
Himself
The passionate advocates of the ‘Cigar Box Guitar Revolution’ express their love of making unique instruments and the democratic, re-cycling ethos of the movement. Many are from the UK’s northern, post-industrial towns, recreating self-identity through hand-made guitars. Their emotional connection with their instruments creates a unique sound which is quite magical. A cinematic short, subsequently commissioned by the BBC as Cigar Box Blues. Festivals include: Woodstock, Nashville, Albuquerque (Honourable Mention)
Acclaimed Montreal band Thee Silver Mt. Zion Memorial Orchestra is one of a growing number of rock groups to have accepted an infant into their touring tribe. Touring with children is both costly and complicated, yet SMZ are determined to combine family life and being on the road with the band's deep political commitment.
Self-effacing Hungarian pianist, József, has a unique talent for fusing contemporary jazz with traditional Roma music. This new sound catches the attention of the acclaimed saxophonist Tim Ries and the two begin performing together. József dreams of escaping his humdrum life and making it big in the home of jazz: America. Along the way, he conquers his demons and learns that when shooting for the stars, success is not the destination, but the journey itself.
Featuring musicians Annie Haslam, Michael Dunford, Jon Camp, John Tout, and Terry Sullivan, this classic lineup of progressive rock band Renaissance performs songs from albums Ashes are Burning, Turn of the Cards, Scheherazade and Other Stories, and Novella, including "Carpet of the Sun", "Mother Russia", and "Can You Hear Me?" in a stripped-down rock band arrangement, at the Golders Green Hippodrome, London, for the BBC Two series, Sight and Sound In Concert.
An unprecedented collection by Afrobeat legend Femi Kuti, Live At The Shrine includes both a concert film/DVD documentary and a live concert CD, singularly conveying the beauty and joy of Afrobeat music – a combustible cocktail fusing jazz, funk, and traditional African music – while also communicating it’s fascinating roots and politics which began with Femi’s father Fela Kuti, the creator and godfather of Afrobeat. Live At The Shrine takes place in the Kuti family’s hometown of Lagos at the Africa Shrine, where every Sunday Femi plays to a packed house of revelers. With music as his weapon of choice and the Africa Shrine a temple of protest song, Femi continues his father’s fight, railing against the corrupt Nigerian government and staunchly defending PanAfricanism. Capturing this experience through interviews, street scenes, and the music itself, Live At The Shrine captures the spirit, passion, and hope, of a man and a people who are fighting.
The point of departure for this film is the 1981 composition De Tijd by Dutch composer Louis Andriessen. Van der Keuken leaves the music undisturbed as an autonomous soundtrack and has the images engage in a sort of battle with it. These images are associations, fragments of events, scenes and situations. The film is preceded by a text by Bert Schierbeek.
