Documentary
Their documentary is the result of an ethnographic audiovisual research. How to research the theme woman and all the themes that surround it, respecting the place of speech of each one? Based on an interview with eighteen women cultural makers from the interior of São Paulo, we…

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On the evening of April 30, 1971, a standing room only audience of local literati and feminists packed New York City’s Town Hall to watch Norman Mailer, who had just written “The Prisoner of Sex,” grapple with a panel of passionate feminists. The subject was Women’s Liberation, an issue on which Mailer seemed like the devil’s own advocate.

TOMBOY explores the obstacles that young girls encounter on the recreational stage, the stereotypes, language issues and cultural disparities that follow, and ultimately the insufficient media coverage and compensation that afflicts elite professional athletes seeking full recognition for their talents. The journey of the female athlete is often discouraging, and despite progress achieved during the Title IX era, gender equity in athletics has a long way to go.

As a result of the Holocaust and later, AIDS, the male homosexual community has sustained bitter losses and, according to Praunheim, lesbian women have now placed themselves at the head of the so-called queer movement. The female protagonists in the film represent two different generations; they also incorporate the past and present status of homosexuals in society.

This documentary explores how Indian women are taught to conceal something as ordinary as their inner wear while drying it, hiding it under towels or behind doors. Through everyday moments and personal reflections, the film reveals how this small act of shame mirrors a much larger culture of policing women’s bodies and visibility.

“It ain’t easy…being green” is the favorite expression of Stormé DeLarverie, a woman whose life flouted prescriptions of gender and race. During the 1950s and '60s she toured the black theater circuit as a mistress of ceremonies and the sole male impersonator of the legendary Jewel Box Revue, America’s first integrated female impersonation show and forerunner of La Cage aux Folles.

Johanna Dohnal, whose political career spans three decades, was one of the very first explicitly feminist politicians in Europe. As a member of the Austrian socialist government and the first Austrian minister for Women’s Affairs from 1990 to 1994, Dohnal was responsible for founding Austria’s first women’s refuge as well as criminalizing of marital rape. Yet her legacy remains yet to be discovered and re-examined. DIE DOHNAL makes a first step, and it makes Dohnal come alive.

Mesa Posta is a film that lives off the violence of a life, which is shown in the simplicity of the gestures of the person who plays it. The habits, beliefs and moments of this story are told in the act of setting the table, then the brutality of life is confronted by the beauty and the grace of the objects that make it: the table is set as life is told.