Chronicles of Her

The story of a rebel with a cause, this dystopic art film takes place in a future where humans have become drones in a decaying post-industrial hive.

A virgin, a married woman, a career woman, and the progress is made by combining the abnormal sex of each of them. This is Rumi Tama's first work in 1983, which can be called the Japanese version of the Decameron, and is a female writer who has made a point of creating enjoyable pornographic entertainment without logic.

Emma is told she has cancer and two months to live and must clean up her life before she dies, to prevent the children from falling into the hands of her abusive ex-husband.

A movie on the modern victims of manual scavenging, a social menace in India that has its roots in caste stratification.

A famous photographer, Jo Ellen Hathaway, has been being stalked for quite some time. She returns to the island she grew up on in an effort to get away from the stalker and get some well-needed relaxation time. On the island, she meets up with old friends and boyfriends and works on relationships with her family. However, she can't shake the feeling that she's still being watched.

Danny has a rare skin condition that prevents him from being in the sun and a desire to be a regular teenager.

Isabelle, Parisian artist, divorced mother, is looking for love, true love, at last.

Neiva is a dedicated manicurist, loved by her friends, adored by her daughter and granddaughter, and oppressed by Fábio, her boyfriend. Desire and obsession surround her daily life. Like many women in Brazil, she works, has fun, and cares for her family, but she also faces challenges in an abusive and troubled relationship. A prisoner of her own feelings, she is a woman who suffers in silence and whose destiny can be revealed for liberation or absolute catastrophe.

Written, directed, and self-financed by Juleen Compton, The Plastic Dome of Norma Jean is the story of a clairvoyant teenage girl, Norma Jean (Sharon Henesy), taken advantage of by a boy band, fashioned after The Beatles, determined to exploit the young woman's powers as part of a hoax revival.

Compton's first feature was the autobiographical Stranded, which she wrote, directed, starred in, self-financed and distributed. Released in 1965, the film shares the cinematic experimentation and stylish, youth-centric rebellion of the French New Wave made even more radical by its progressive portrayals of female independence and sexuality, beatnik culture, and discussions of homosexuality. Stranded follows Raina, a young American woman (played by Compton), traveling through Greece with her American lover (Gary Collins), and her French, gay, best friend (Gian Pietro Calasso). Raina partakes in several love affairs rejecting marriage offers for no other reason than she likes her life the way it is. Made just prior to the arrival of second wave feminism, Compton, as writer-director, never judges her on-screen alter-ego the way similar female characters were frequently punished in other films during this era by stigmatizing female sexuality.

Another night, another naked body in her bed. She feels no love, just passion. A sharp lancet in her hands and a hidden box with her secrets. Only she knows how it all will end and who will be her next victim.

A four-part anthology set in Liverpool