Documentary
GRAMMA & GINGA: THE MOVIE is a 30-minute documentary film that tells the story of these two beloved internet superstars. This intimate portrait chronicles Gramma & Ginga’s unexpected rise to fame and takes viewers home to their small West Virginia town, where they reminisce and…
Self - Gramma
Self - Ginga
Self
Self
Pop sensations the Lovin' Spoonful perform their biggest hits in this collection of television appearances from the 1960s and '70s. Lead singer and songwriter John Sebastian discusses the band, their music and their legacy. Songs include "Summer in the City," "She's Still a Mystery," "Nashville Cats," the hit theme to the sitcom "Welcome Back, Kotter," "Did You Ever Have to Make Up Your Mind?" and "Do You Believe in Magic?"
Standout tells the powerful story of Ben Kjar, born with Crouzon Syndrome, a rare craniofacial disorder. From birth, doctors warn that his life will be overshadowed by limitations. Ben yearns for an ordinary life free from the harsh scrutiny he faces daily. However, each experience of adversity, including relentless bullying and a series of painful surgeries, ignites a fire within him. Wrestling becomes his proving ground, a place where he learns to transform his facial difference into a source of power. Determined to succeed, he pushes himself relentlessly, breaking through physical, social, and even romantic barriers that once seemed insurmountable. But as unexpected challenges arise and ridicule resurfaces, Ben finds himself at a defining crossroads: fade into the background of a “normal” life, or fully embrace his unique path and boldly stand out.
“Tragic Awakening: A New Look at the Oldest Hatred,” directed by Canadian-Israeli filmmaker Raphael Shore, interweaves historical analysis with contemporary events through the voices of clerics, historians, sociologists, and cultural commentators, including the late British Chief Rabbi Rabbi Jonathan Sacks, author Yossi Klein Halevi, Israel’s antisemitism envoy Michal Cotler-Wunsh, and journalists Bari Weiss and Douglas Murray. It argues that antisemitism stems not from a perception of Jewish inferiority, but rather from resentment of Jewish excellence and moral leadership.
Physical rehabilitation has become a significant area in Edgar Ulises' life because of the fracture he has in his left humerus, the product of a period of chronic stress. Thus, exercise became a necessity for him, although all his experiences with sports during his childhood were fraught with bullying due to his effeminate behavior. This accident forces him to ask himself: if he had been a heterosexual man, would he have had a good relationship with sports? He asks himself this question in Paris, where he is studying for a master's degree in filmmaking, and, from the solitude of his room and with no production budget, decides to contact Club Muxes, the only LGBTQTQ+ soccer team in Mexico, his country of origin. The conversation takes place over the phone, and the images we see are sent by the club's communications department.
How do German couples communicate in private? What are they arguing about? Is the way to a man’s heart really through his stomach? This docu-fictional hybrid production discusses such questions with the help of authentic interview snippets that were edited under the staged plot. We get an insight into the life of an animal couple, who experience typical everyday situations on behalf of us humans. At first, our fox is emotionally contained, while the penguin lady may get wild as hell. With a wink, the filmmakers hold up a mirror to the audience in the cinema.
Two guys quit stodgy corporate jobs, scrounged up all the savings they could, collected credit cards, and stepped - or better yet - scooted forward to follow their biggest dream: to become filmmakers. Josh Caldwell rode a Segway from Seattle to Boston, while his buddy Hunter Weeks directed a film they both shot about the experience and about the moments leading up to this crazy twist on the Americ
A documentary film exploring humanity's relationship with technology and with the natural world. Shot over a 5-year period in more than 30 countries, the film pioneers new timelapse, time-dilation, underwater, and aerial cinematography techniques to give audiences new eyes with which to see our world.
