Self
Self
Self

Decolonising the Curatorial Process is a forty-minute documentary which explores decolonial strategies in an academic and curatorial context. The film features academics, activists and practitioners, and contains case studies of institutions that are deploying critical, self-reflective forms of curatorial practice. The Museum of London Docklands exhibition on slavery and the sugar industry is examined as an example of how an institution can decolonise the curatorial process, utilise the work of artists in a museum context, and critically examine East London's imperial history. The Pitt Rivers museum in Oxford, who are working with Maasai activists from Kenya and Tanzania on a project centred on repatriating the museum's collection of sacred Maasai artefacts, also features in the film.

Hop on a Harley for this tour of the nation's highways and byways with other motorcycle enthusiasts by your side. This documentary examines the cult of Harley-Davidson and its followers, who traverse America free and unencumbered on their beloved "hogs." Viewers will make a side trip to South Dakota for the Sturgis Motorcycle Rally; celebrate Harley's 100th anniversary in Wisconsin; join the 9/11 Patriot Ride and the Love Ride; and more.

Shot in Australia, USA, Italy, France, Germany, and Japan, Beyond the Wasteland follows the fans from around the world who go to extraordinary lengths in the name of Mad Max. Transporting us into the world of Mad Max, we explore the eccentric world of the fans, their costumes, and their machines as these oddball fans find their place amongst the Mad Max community. The documentary also follows original cast member, Bertrand Cadart as he continues his fight against stage IV leukemia and travels from his home on the Sunshine Coast to the “Wasteland,” the desert location of Mad Max 2 in Silverton, for the last time. Beyond the Wasteland not only celebrates life but the ability to change oneself through passion.