Faust (The Royal Opera House)

God and Satan wager on the soul of a learned and prayerful alchemist as part of their eternal war over Earth.

After straight-arrow district attorney Joseph Foster says in frustration that he would sell his soul to bring down a local mob boss, a smooth-talking stranger named Nick Beal shows up with enough evidence to seal a conviction. When that success leads Foster to run for governor, Beal's unearthly hold on him turns the previously honest man corrupt, much to the displeasure of his wife and his steadfast minister.

Second part of Goethe's Tragedy

When a dedicated college professor is denied tenure, he turns to black magic in a moment of desperation but finds himself trapped in a private hell of his own making.

A doctor in early 19th-century Germany becomes infatuated with the sister of a man he unintentionally killed and bargains with the Devil incarnate to conjure their union in exchange for his soul.

“Faust Part 2” reveals the modern Faust in a romantic interlude, an idyll (from the Greek idein, "to see"); also, a journey of the id. A sense of story is inferred through the complex interweaving of human gesture, expression, and bodily movement within vibrantly shifting colours and rhythmic development, creating multiple levels of metaphorical meaning. A collaborative work with paintings by Emily Ripley and soundtrack by Joel Haertling.

Disillusioned with life, the aged philosopher Faust calls upon Satan to help him. The devil Méphistophélès appears and strikes a bargain with the philosopher: he will give him youth and the love of the beautiful Marguerite, if Faust hands over his soul. Faust agrees, and Méphistophélès arranges matters so that Marguerite loses interest in her suitor Siébel and becomes infatuated with Faust. Faust initially seems to love Marguerite in return, but soon abandons her. Her brother Valentin returns from the war and is furious to find his sister pregnant. Will Faust repent his destructive actions, and can his soul, and Marguerite's, be saved?

Faust and his love Marguerite are sentenced to Hell where they are showed the torture that awaits.

The filmed archival of the Bengali theatrical adaptation of Christopher Marlowe's "Dr. Faustus" by the theatre group Arghya.

‘La course à l’abîme’ is a depiction of the final ride into hell from ‘La Damnation de Faust’ (1846) by Hector Berlioz.

Faust, an old, bright but desperate man, struggles with the sense of his life. After trying all kinds of sciences he enters into a contract with the devil, Mephistopheles, to feel life, joy and desire again. Mephistopheles promises him to get full satisfaction by enjoying and celebrating all the worldly pleasures: outstanding parties, being young again, the love of a woman. To fulfill the pact, Faust offers him his soul after his death. Their journey begins and leaves many people in total despair...

A lost film. Georges Méliès also directed a film entitled Faust aux enfers in 1903 that is frequently confused with this one, but it has little to do with the story of Faust.