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Self
Self
"Don't go in the Water." This line bred fear in millions of people around the world. In 1975, Jaws showcased the greatest eating machine, the great white shark, on the big scren and changed the swimming habits of movie-goers everywhere. By far the most feared creature in the sea, this species is responsible for more attacks on human beings that all other sharks combined. Step outside the Hollywood hype and travel to South Australia with an expedition as they attempt to increase understanding and reduce human/shark confrontations. Observe the behavior and lifestyle of the great white shark, and see these miracles of evolution up close in this unforgettable exploration under sea.
In her second film, MY LIFE AS I LIVE IT (1993), Essie Coffey returns to her home in Dodge City where she and the A-Team are running in the shire elections. Inter-cutting between 1993 and 1978, the film presents the fascinating contrasts of a society in transition. Some of the kids we met in the earlier film now have families of their own and are involved in education, art and sports. Others are drifting, trying to cope with alcohol and depression. Most significantly, community programs offer the possibility of dignity and self-determination. In this film, Essie shows us the Community Development Employment Program (CDEP) making a real difference. Although the CDEP has now come under attack from the Federal government, MY LIFE AS I LIVE IT portrays the CDEP as providing meaningful work and services to an impoverished remote community.
An experimental short film made as part of a multi-media triptych, originally screened alongside a fashion collection and an art-installation. Drawing from Papa Yorick’s (Director and fashion designer) thesis “Men Are My Cumrag”, the film reenacts eight mainstay gay porn scripts, incorporating and parodying tropes and clichés, that explore masculine identities within the gay porn industry, through a satirical and critical lens.
Australian wrestling was once a television obsession where the best in the world would clash. Now travel half way around the world with an Aussie wrestling champion to track down the greats of those glory days where generations cheered heroes, and booed villians. Here are the mad, bad and dangerous-to-know grand-daddies of the original reality television, where every move was Ruff, Tuff, and Real!
Western Australia's iconic black cockatoos are in crisis. Their numbers have fallen dramatically over the past few decades and all three species in the south west of WA could become extinct in just 20 years unless something is done to protect their habitats. With the loss of the banksia woodlands on the Swan Coastal Plain to housing, Carnaby's Black Cockatoos have come to depend on the once vast exotic pine plantations on Perth's northern fringe.
A camera crew follows Helmut Newton, the fashion and ad photographer whose images of tall, blond, big-breasted women are part of the iconography of twentieth-century erotic fantasy. He's on the go from L.A., to Paris, to Monte-Carlo, to Berlin, where he was a youth until he escaped from the Nazis in 1936. We see him on shoots, interviewing models, and discussing his work.
This documentary examines the life and work of the late fashion designer Yves Saint-Laurent, recounting how a frail prodigy prone to bouts of depression became an icon of the fashion world. Initially appointed head of the House of Dior in 1957 before growing into a globally recognized designer in his own right, Saint-Laurent overcomes his struggles with substance abuse, accumulating a large art collection alongside his lifelong personal and professional partner, Pierre Bergé.
