La fuga

A late night hook-up leads Shay and Adam to the bedroom. Before long, chit-chat gives way to passion. But something is missing from their interaction – something that is important to Adam, repellent to Shay – and it soon becomes a sticking point.

A young man catches the eye of another in a public park. The dance begins, the public toilets beckon. For one of them, this is one of many such encounters. For the other, it's the first time.

Various amphibious pond dwellers, including grass frogs, tree frogs, common toads and other amphibians are shown moving around, feeding, mating, fertilizing and evolving. Also on display are natterjack and midwife toads, yellow-bellied toads and water frogs.

In a seemingly easy theatre exercise, Rebeca, a young Roma woman, student at an elite acting school, is pushed to confront her biggest fear.

Eva and David have a complicated mother-son relationship. They try to reach each other but do not quite know how. One problem is the language barrier, as David is deaf and Eva is not very good at sign language. After moving back to her country of birth, Eva comes to Sweden on a short visit, where she discovers what so many parents do throughout the lives of their offspring - your children never cease to surprise you.

A supernatural tale set on death row in a Southern prison, where gentle giant John Coffey possesses the mysterious power to heal people's ailments. When the cell block's head guard, Paul Edgecomb, recognizes Coffey's miraculous gift, he tries desperately to help stave off the condemned man's execution.

Sarajevo in the twentieth month of its besiegement. The situation is critical, but the city chooses to organise an international film festival. Dutch filmmakers Johan van der Keuken and Frank Vellenga present Van der Keuken's documentaries Face Value and Brass Unbound there, and one of the festival organisers asks a festival visitor: "What is the significance of film in war?" In Sarajevo Film Festival Film, a reflection on film, war and daily life, fictional images are juxtaposed in a disconcerting way with the gruesome reality of the life of a festival visitor.

An egotistic, self-centric painter discovers he has developed a life-changing disease. Choosing to forget his troubled past, he immerses himself in painting, reshaping his memories to imagine a different past.

GIRI CHIT tells a tale of the subtle trace of irreconcilable worlds. A worker driving a mobile sweeper in hypnotic circles across an already immaculate surface. The high drama of cosplay aficionados clamoring to be seen. A cast of thousands toiling hundreds of feet above the street. Giri translates as ‘duty’ in Japanese, but the concept is in fact far more complicated. Giri is a sort of interpersonal political capital that informs careers, family relations, and much more. Its presence and flow is palpable in Japan, where this film was shot. A “giri chit” then may be a hypothetical voucher for this intangible flow (with a tip of the cap to Thomas Pynchon’s “Vineland”). Selected Screenings and Awards: DaVinci Film Festival (Best Experimental Film), Chicago Underground Film Festival, Athens International Film and Video Festival, Dallas Videofest, ICDOCS Film Festival, NewFilmmakers at Anthology Film Archives, Oxford Film Festival, Director’s Lounge Berlin