Villmar

Linnea

Leffe
Sara
Lola
Olle

The Actress

The Teacher
The Son
Bus Driver

Vera
Hanna

Giacomo and Samuele, two young boys, were born and grew up in a small town in south Italy. Although it overlooks the open sea, it is a close-minded town. In this ancient town, the two boys quickly develop a strong bond, which goes beyond friendship. They secretly commit themselves to escaping to a place where they can freely express their feelings.

1987, love in time of war: bus driver George meets Carla, a Nicaraguan exile living a precarious, profoundly-sad life in Glasgow. Her back is scarred, her boyfriend missing, her family dispersed; she's suicidal. George takes her to Nicaragua to find out what's happened to them and help her face her past.

The life of a successful radiologist spirals out of control when she sees the spitting image of herself driving down a London street. While attempting to uncover who the imposter could be, she stumbles into a terrifying mystery that her family and closest friends are somehow involved in, leaving her with no one to trust.

Firefighters Chuck Ford and Larry Valentine are guy's guys, loyal to the core—which is why when widower Larry asks Chuck to pose as his lover so that he can get domestic partner benefits for his kids, his buddy agrees. However, things get dicey when a bureaucrat comes calling, and the boys are forced to present a picture of domestic bliss.

In the summer of 1941, the United States and Japan seem on the brink of war after constant embargos and failed diplomacy come to no end. "Tora! Tora! Tora!", named after the code words used by the lead Japanese pilot to indicate they had surprised the Americans, covers the days leading up to the attack on Pearl Harbor, which plunged America into the Second World War.

This short film tells the story of Alexis, a 16-years-old hockey player who, after discovering he is gay, must face a heartbreaking dilemma: come out to his homophobic friends at the risk of being rejected and ridiculed, or stay in the closet even if that would mean abandoning Elliot, the only person who really loves him for what he is.

Co-directed by Blackwood and Julien, the first full-length feature film by Sankofa Film and Video offers a radical and necessary interrogation into what constitutes 'post-colonial' identity at a time of political and social restlessness in Britain. Set within an isolated desert landscape contrasted with recognizable scenes of the intensity of family life, this vanguard work demonstrates the richness and variety of the black experience; it is a poetic and hard-hitting commentary on the complexities of race, gender and sexuality.