Verônica
Vendedor diabólico (voz)

The friendship between two children is threatened by their parents’ differences. Malú is from a family that was upper-class before the Revolution and remains well-to-do through remittances from relatives overseas, and her single mother (Larisa Vega Alamar) does not want her to play with Jorgito, as she thinks his background coarse and commonplace. Jorgito’s mother (Luisa María Jiménez Rodríguez),

Adam, a drifter, arrives in a small town after a long journey in search of his lost brother. There, he encounters a prostitute who offers to help him in his hopeless search, and after a long conversation, it seems she truly might. But the next day, Adam realizes that the town itself is toying with his sanity, his memories, and his very soul, as everything spirals into a Kafkaesque nightmare of labyrinthine plotlines and shifting personalities.

The film takes place in March of 2020 right as COVID-19 starts to be a major threat to the U.S. and places start to shut down and people start to panic. Meanwhile, Cynthia (Lixy Lestat), who is on the run after she steals money from her former boss who is a drug lord. As she drives across country she comes down with COVID. She pulls over to a motel to get some rest when she meets Willow (Sushii Xyhyvette Holder), who is a mysterious woman. Willow takes care of Cynthia when she passes out in the motel parking lot. Cynthia learns that Willow is not just a normal woman but has a thirst for blood and she claims to be a vampire.

After the death of his parents, teenager Max discovers in himself an unusual ability to move into other people, penetrating into their minds. The viewer gets acquainted with the grown-up hero, behind whom there are already several journeys into the depths of the human mind, and one of them, the most pleasant for Max, is connected with the beautiful artist Vera. With her help, Max comprehends the true beauty of nature and the harmonious integrity of the world, and also shares his own unique knowledge with the girl. Together, the heroes have to go through a fascinating path, the routes of which lie far beyond the usual perception of reality.

In a depressed Texas town, British foreign exchange teacher Anna attempts to inject some life into her hopeless kids by introducing them to soccer. They're terrible at first, but Anna and her football-hero assistant whip them into shape. As they work overtime, the pair help kids build their self-esteem and also get involved in solving family squabbles.

Set during the final ten minutes before an eighteenth birthday, the film follows a young protagonist on the threshold between childhood and adulthood. Through poetic monologues and symbolic ritual, it explores the fear, loss, and quiet transformation that accompany coming of age. Blending introspection with elements of symbolic horror, the film treats growing up not as a celebration, but as a rite of passage, culminating in a final return to childhood memory as midnight arrives.

While celebrating their reconciliation and six years of marriage, American actress Sally Nash and British novelist Joe Therrian receive their close friends, some colleagues and their next door neighbors in a party. Under the effect of Ecstasy, revelations are disclosed and relationships deteriorate among the group.