Captive Women 4

A Nazi propaganda movie from 1941 directed by Max W. Kimmich, covering a story of Irish heroism and martyrdom over two generations under the occupation of the British.

Near the end of WW2, prisoners of war are used in experiments to perfect the Arian race.

A team of researchers investigates a European castle that was used for sadistic tortures during the inquisition, as well as horrifying and abominable Nazi experiments on innocent people. Riddled with history, the demonically possessed castle overtakes the crew turning their nightmares into a terrifying reality.

A group of Nazis meet in a house to revive Hitler's black magic, but unleash through the wrath of specters that end up torturing and harassing them.

A force of loners and fighters is put together to try and rescue the generals and save the war effort with the promise of gold and pardons of past crimes.

By combining actual footage with reenactments, this film offers both a documentary and fictional account of the life of Adolf Hitler, from his childhood in Vienna, through the rise of the Third Reich, to his final act of suicide in the waning days of WWII. The film also provides considerable, and often shocking, detail of the atrocities enacted by the Nazi regime under Hitler's command.

Ilsa, a warden at a Nazi death camp that conducts experiments on prisoners, strives to prove that women can withstand more pain and suffering than men, and therefore should be allowed to fight on the frontlines.

A couple wash up on an uncharted island where Nazi experiments are going on.

Lise Cohen is taken to a special prisoner-of-war camp for female Jews, a camp run as a bordello to entertain the German officers and troops going in to battle. The camp is run with an iron fist by Commandant Starker and his minion Alma. Starker becomes frustrated when Lise demonstrates no fear, and devises cruel experiments to scare her, to no avail. Once she realizes her guilt is unfounded, Lise begins to play Starker's game, but even though she begins living a better life, she doesn't forget the atrocities she has seen and experienced.

Young women in Nazi-occupied countries are packed onto a train and shipped off to a prison camp, where the sadistic commandant uses them as rewards for his lesbian guards and perverted and deviate troops.

A prisoner is forced to serve as a doctor's assistant, giving her a front row seat for the horrible goings-on. There's the experiment to revive Nazi soldiers who have frozen to death by having nude women rub their bodies all over the corpse (that one works), and the experiment tries to "cure" homosexual men by having nude women dance for them. This is only some of the horrors that are going on there.

Stalags were pocket books whose plots revealed lusty female SS officers sexually abusing camp prisoners. During the 1960s, parallel to the trial held against Nazi war criminal Adolf Eichmann, sales of this pornographic literature broke all records in Israel and hundreds of thousands of copies were sold at kiosks. The popularity of the Stalags only declined after a much-reported trial, in which their authors were accused of distributing anti-Semitic pornography. This film examines the notorious phenomenon, exposing the creators of this genre for the first time. It posits that the combination of pornography and the Holocaust also appears in canonic Holocaust literature and continues to be a widespread part of the representation of the Holocaust in Israel today.