The Girl of Water

A young boy’s life is changed forever when his mother introduces him to the magic of her origami animals, which she brings to life with a breath. As he grows up and drifts away from his heritage, the paper menagerie remains a silent testament to a mother’s love and the cultural bond he struggles to accept.

Phyllis is a moving and atmospheric portrait of a ‘psychic’ vampire, a woman obsessed with synthetic Nollywood dramas, that lives alone in Lagos, Nigeria. The central idea of this short experimental film is the practise and significance of wig-wearing in Nollywood film; a practise the director has invested with deeper psychological as well as science-fiction layers. Underpinning this central idea however is a critique of the unforgiving treatment of single women in Nollywood and Nigeria. The film is an example of what the director, Zina Saro-Wiwa, has termed “alt-Nollywood”, a genre that plays with and reworks certain narrative, stylistic and visual conventions of Nollywood. Phyllis explores the gothic possibilities of the Nollywood aesthetic creating a new kind of low-budget atmospheric film that is very much of Nollywood and yet subverts the genre. Using Nollywood to subvert Nollywood.

When her father enlists to fight for the British in WWI, young Sara Crewe goes to New York to attend the same boarding school her late mother attended. She soon clashes with the severe headmistress, Miss Minchin, who attempts to stifle Sara's creativity and sense of self-worth.

In a loose retelling of the Revolutionary Girl Utena TV series, Utena Tenjou arrives at Ohtori Academy, only to be immediately swept up in a series of duels for the hand of her classmate Anthy Himemiya and the power she supposedly holds. At the same time, Utena reunites with Touga Kiryuu, a friend from her childhood who seems to know the secrets behind the duels. Utena must discover those secrets for herself, before the power that rules Ohtori claims her and her friends, new and old.

A group of dated appliances, finding themselves stranded in a summer home that their family had just sold, decide to seek out their eight year old 'master'.

Filled with longing for her friends abroad, a young woman stumbles upon a mysterious abandoned camera in a park and accidentally captures moments she can never reclaim.

Through his frustrations, an obsessed novelist connects with a dimension where a walking girl encounters weird characters in a mysterious urban world, slowly driving to the peaceful nature of the desert. In this trip between light and shadow, hope for finding an inner mental peace will prevail. This movie is characterized for an experimental language, with purposed technical and performing imperfections, wrapped in an organic fantasy effect.

Jimmy desires to be a pirate when one day he discovers a magic bottle on the beach. He makes a wish and suddenly finds himself aboard Blackbeard's ship. Soon he realizes that being a pirate isn't what he expected.

A young man races to save his son's life, but death – incarnated in the child's imagination as the titular Erl King – calls unceasingly.

Utilizing the 1920s jazz vocals of Annette Hanshaw, the epic Indian tale of exiled prince Ramayana and his bride Sita is mirrored by a spurned woman's contemporary personal life, and light-hearted but knowledgeable discussion of historical background by a trio of Indian shadow puppets.

Ruby Gillman, a sweet and awkward high school student, discovers she's a direct descendant of the warrior kraken queens. The kraken are sworn to protect the oceans of the world against the vain, power-hungry mermaids. Destined to inherit the throne from her commanding grandmother, Ruby must use her newfound powers to protect those she loves most.

An impulsive youngster, who is furious with his mother, seeks assistance from a scientist for a way to become an adult overnight. His wish is granted and he begins look like a 28-year-old man. How will he deal with the complexities of adulthood? How will his relationship with his mother evolve?