Charli Breaks The Floor

In this amiable Columbia B musical, society girl Ann Miller escapes her Back Bay family by performing in the chorus line in a burlesque house. But trouble starts when her boss (William Wright) decides to build her up as a star. One of the many bread-and-butter Columbia productions graced by the contributions of Cole’s in-house dance studio. Cole dances behind Miller in “I’m Gonna See My Baby.” --Museum of Modern Art

When a hip hop violinist busking in the New York subway encounters a classical dancer on scholarship at the Manhattan Conservatory of the Arts, sparks fly. With the help of a hip hop dance crew they must find a common ground while preparing for a competition that could change their lives forever.

In this spin-off from his original plan for Relativity (1966), Emshwiller continued with his desire to penetrate “space in a kind of flying camera, a dream of flying, a kind of sensual, sexual imagery where you were constantly going into an unknown space.” A trio of dancers (Carolyn Carlson, Emery Hermans, Bob Beswick) appear "first in leotards, then in bluejeans, then naked, as they “pass through rituals of movement.”

A young boy accidentally squeezes his pet bird to death. At sunset the bird resurrects itself and confronts the boy with his actions.

The Hollywood musical is brought to a Glasgow street. Amidst the crush of city life, two street musicians provide the backdrop for a girl meets boy story, with a spark of purely Glasgow magic.

Dance, espionage and passion come together in this powerful and exciting docudrama that tells the extraordinary story of how Soviet ballet dancer Rudolf Nureyev defected to the West in 1961 and became a living legend.

Recording of a performance by Ballet de l'Opéra national de Paris of the ballet on Music for 18 Musicians by Steve Reich, choreographed by Anne Teresa De Keersmaeker.

Liveset of DJ Coone at Sunrise Festival 2013

"Dancing is sculpting in time." Shot around Indy Simin's "Echt in Vorm."

A loner fresh out of rehab and hunted by both sides of the law returns home to solve the murder of his sister, and finds himself entangled in a game of revenge on the LA club circuit.

The scene is set at Billy Rose's Casa Manana Revue, filmed at the Fort Worth Frontier Fiesta (1937), an enormous production created as part of the Texas Centennial civic celebrations. The opening song, "The Night Is Young And You're So Beautiful" emanated from the first edition of the Revue and became a hit song on two continents in 1936.