Song Remains the Same

Casimê Celîl was born into a Yezidi Kurdish family in 1908, in a village called Kızılkule, located in Digor, Kars. The village and family life, which he longed to remember throughout his life, ends with the massacre they endured in 1918. During his long road to Erivan, Armenia, he lost all his family members. Left all alone, Casim was placed into an orphanage and was forced to change his name. To remember who he was and where he came from, every morning he repeated the mantra “Navê min Casim e, Ez kurê Celîlim, Ez ji gundê Qizilquleyê Dîgorê me, Ez Kurdim, Kurdê Êzîdî me”, which translates to: “My name is Casim, I am the son of Celîl, I come from the village of Kızılkule in Digor, I am a Kurd, and I am Yezidi”. He clings to every piece of his culture he can find, reads, and saves whatever Kurdish literature or art he comes across. As the year’s pass, Casim finds himself with an impressive collection of Kurdish culture and history.

Among the many dramatic episodes of the siege of Sarajevo in the years 1992 to 1996, the story of a human safari has remained concealed from the public eye. Few people knew that those fighting the war on the Serbian side were not only the Bosnian Serb Army, volunteers and mercenaries but also a small, clandestine group: wealthy foreigners who paid high fees for the chance to shoot at the residents of the city under siege.

Lorie invites you to a colorful and festive evening! Hear all her greatest hits during her Lorie Party 2025/2026 tour!

Roy Orbison sings some of his greatest hits, including Only the Lonely, Crying, Penny Arcade, Blue Bayou, Running Scared, Candy Man, In Dreams, Mean Woman Blues, It's Over and Oh, Pretty Woman.

An exploration into the benefits of music in uk youth culture. Understanding the comfort it can provide.

This exceptional concert brings together renowned artists from the French and Belgian music scenes. For the 2024 edition, Richard Kolinka has teamed up with Zazie, Calogero, Irma, Cali, and Düst to perform their greatest hits as well as covers of pop-rock classics in a show lasting over two hours.

Winter 2019. Spanish war photographer Gervasio Sánchez, who documented with his camera the long and tragic siege of Sarajevo during the Bosnian War (1992-95), returns to the city in search of the children he met among the ruins, those who survived to grow up, live and remember.

Larry the Cucumber's vision of the future includes automated robotic hosts telling jokes with random punch lines and musical numbers in which the performers and themes are chosen entirely by chance. As Bob the Tomato quickly points out, the jokes of the future aren't very funny because they don't make sense. Worse, technical malfunctions in the Ventrilomatic hosts actually promote emotional instability. Nonetheless, Bob admits that Larry's vision of the future contains some very cool adaptations of classic songs like Gilbert and Sullivan's fast-talking "Modern Major General" and Binky the Aardvark's solo performance of Mozart's The Barber of Seville. Larry's vision of the future also includes an amusing animated short about greed called "Lunch." Junior Asparagus calls Bob and Larry back to the present with a final song celebrating God's unconditional love.

A magical evening in the heart of Paris, presented by Stéphane Bern with the help of Louise Ekland and Laury Thilleman. France Télévisions has teamed up with the City of Paris to celebrate December 31 and offer viewers a magical evening event in the heart of Paris to bring 2025 to a spectacular close.

The usual interesting sequences, depicting a home made sun dial, some gadgets for the modern kitchen. Professor Oakes, and Dorothy Lamour singing "Moon Over Burma" (coming soon to your favorite theatre: Moon Over Burma (1940)).

Between the nostalgia of resurfacing roots and the desire to venture into song to experience a rebirth, Nicolas Maury reveals himself unguarded before Didier Varrod, with a deeply moving sincerity. Nicolas Maury released his first album, La porcelaine de Limoges, in January 2023—a new experience for this unique, demanding, and multifaceted actor. It is an opportunity to paint an intimate portrait of him through an extended interview on a train between Paris and Limoges. In this specific setting, which was also that of his first (silent) film role with Patrice Chéreau in Those Who Love Me Can Take the Train, Nicolas discovers archives and hears from close acquaintances who speak about him. A documentary film, like a kind of initiation rite, it moves back and forth between memories of France and childhood, and his condition as a man and artist today, taking on a new identity through music.