The Magic of Méliès

That Child with AID$ tells the story of Brazilian advocate and artist Lili Nascimento, who was born with HIV in 1990. Lili has worked to expand narratives about living with HIV beyond the limited images and ideologies that permeate the AIDS industry.

Heart Murmurs is a poetic dialogue between the filmmaker and Dean, a young man living in Hong Kong. In reflecting on his experience living with a congenital disability and HIV during the first years of the COVID pandemic, Dean expresses his sense of self in the face of regular medical challenges.

This Bed I Made presents the bed as a place of solace and agency beyond just a site of illness or isolation. Through the shared stories of two Filipino men living with HIV, the video explores modes of care, restoration, and abundance in the midst of pandemic pervasion.

Losing the Light reflects the artist's bitter battle to stay in this world as a long-term survivor of AIDS who has lost his vision to CMV retinitis. An experimental self-portrait, the video evokes the dissolution and fragmentation of the artists body, representing the impact of blindness, long-term HIV infection, and the cumulative effects of decades of antiretroviral medication.

Georgian director Otar Iosseliani prepares his film Jardins en Automne. Nothing is conventional in the filmmaker's system: Julie Bertuccelli portrays the gestation and production of a film that seems to follow the freest and most unpredictable poetic intuitions of its creator. The constant and hilarious arguments with the producer, Martine Marignac, a Michel Piccoli transformed into an old woman, and the director's peculiar filming system, in which he signals his actors to start with a whistle, paint a picture of one of the most unclassifiable cinematic experiences in contemporary cinema.

Al is a young drag king dealing with his transgender identity daily. He tries to express it through his shows and share with us his story, feeling and thoughts about it.

In this visual essay John Bengtson, author of Silent Echoes: Discovering Early Hollywood Through the Films of Buster Keaton, provides a tour of where Seven Chances was filmed, comparing archival images with contemporary photos, and sharing stories of Mrs. Eleanor Keaton's visit to the Seven Chances church.

Four visual essays by Silent Echoes author John Bengtson identifying Buster Keaton's shooting locations for his many short films produced between 1920-1923, many in the streets surrounding his former Hollywood studio, the same studio where, a few years earlier, Charlie Chaplin had made his brilliant series of Mutual shorts.

A documentary about Buster Keaton's "Italian" villa in Beverly Hills.

The turbulent life of soul and blues singer, the late Joe Cocker. A former gas fitter from Sheffield, catapulted to world stardom in 1969 at Woodstock with his legendary performance of the Beatles song, "A Little Help from My Friends". But in the early 1970s, Joe Cocker's inner demons nearly killed him. Overcoming his struggles with alcohol and drugs, he rebuilt his reputation as "one of the great primal rock and roll vocalists of all time" (Billy Joel's description). The film mixes Joe Cocker's own words, with rare archive. His wife (Pam Cocker) & family, friends and the legendary songwriters and musicians he collaborated with, tell Joe Cocker's story. The film has raw, historic, electric performance footage throughout. Extensive interviews of key people through his life include: Pam Cocker, Ben Fong-Torres (Rolling Stone magazine editor), Randy Newman, Jimmy Webb, Billy Joel, Rita Coolidge, Deric Dyer, Glyn Johns, and numerous others.

A documentary about the sea and memory. Its movement is its form. Its strength.

American dancer and choreographer Hermes Pan recalls his life and work as he relives the glorious history of the Hollywood musical.