Bandura’s Social Cognitive Theory: An Introduction

Decolonising the Curatorial Process is a forty-minute documentary which explores decolonial strategies in an academic and curatorial context. The film features academics, activists and practitioners, and contains case studies of institutions that are deploying critical, self-reflective forms of curatorial practice. The Museum of London Docklands exhibition on slavery and the sugar industry is examined as an example of how an institution can decolonise the curatorial process, utilise the work of artists in a museum context, and critically examine East London's imperial history. The Pitt Rivers museum in Oxford, who are working with Maasai activists from Kenya and Tanzania on a project centred on repatriating the museum's collection of sacred Maasai artefacts, also features in the film.

An analysis of the controversy over the participation of women in the Irun and Hondarribia festivity known as Alarde. It is divided into three parts: in the first part, the history, structure, and characteristics of the Alarde are explained; in the second part, the beginning of the conflict and its development in the 1990s; and in the third part, the present situation, reflecting on the present and future of the festival.

Openland is an art film guided by issues surrounding micro states and its derivative definitions. Through intertwining interviews, meta-narratives, and digital landscapes, Openland unfurls a dialogue between consciousness, individuality and collectivity.

This story follows one man's quest to uncover the origins and reveal the mysteries of a possible Holocaust artifact some historians now say never existed: lampshades made of human skin. When the flood waters of Hurricane Katrina receded, they left behind a wrecked New Orleans and a strange looking lamp that an illicit dealer claimed was 'made from the skin of Jews.'

A group of fearless, compassionate individuals with Viking spirit set out to turn around the most dangerous neighborhood in Las Vegas, to help the children living there, reducing violent crime with a record 75%.

An educational film about power sources that’s rendered as a lyrical meditation on heat and vapor, The Four Elements is a poetic and avant-garde documentary Curtis Harrington made for the United States Information Agency.

Do you want to relax, meditate or sleep deeply? Personalize the experience according to your mood or mindset with this Headspace interactive special.

A paralysingly beautiful documentary with a global vision—an odyssey through landscape and time—that attempts to capture the essence of life.

Unofficial Germany-produced spin-off of the popular "Faces of Death" series, not to be confused with "Faces of Death V", the official fifth installment in the series.