Freedom from Despair

Last bastion of freedom of expression or playground for extremists and criminals? Opinions are divided on the messaging service Telegram. Just like on its mysterious founder, tech billionaire Pavel Durov. Is this man an uncompromising advocate of radical freedom or an accomplice of criminals of all kinds? Author Aleksandr Urzhanov searches for answers.

With his soaring falsetto and magnetic yet understated stage presence, Jimmy Somerville burst onto the 1980s new wave scene, making the world dance to songs rooted in struggle and resilience. From the harsh realities of Glasgow’s working-class neighborhoods to the challenges of growing up gay in a hostile world, and the devastating impact of the AIDS crisis, Somerville transformed pain into anthems of freedom. First with Bronski Beat, then The Communards, and later as a solo artist, he became both rebel and diva—the unmistakable voice of a generation fighting for equality. Through intimate stories from those who have stood by him for four decades, this portrait reveals a rare artist who has never wavered in his convictions.

The surprising story of Sexy Sadie, a successful English-language Spanish pop-rock band formed in Mallorca in 1992 and disbanded in 2006.

In the vastness of the Iranian desert, young artists strive for freedom, community, and the preservation of their cultural heritage in the ancient caravanserai of Deyr-e Gachin, while facing the harsh conditions of their surroundings.

‘Dead Harbor’ deals with the people who were living in worst asylums at that time – institutions in which the society was throwing a way all those who they wanted to get rid off and marginalize: psychiatric patients, alcoholics, old people who no one wanted, ex prostitutes and the other social cases. Work was filmed in Asylum for adults in Bidružica. Without any real care or therapy, under hard sedatives and drugs, inhabitants of Asylum wasted their days without any meaningful activities – walking in circles in the yard, sitting on the benches or in the best case drinking in local pubs.

In '90s Argentina, the murder of a high school student sparks widespread protests. Retold by her loved ones, this documentary shows their fight for justice.

A film about the collective psychological traumas of Ukrainians.

Comprising new and archival footage, this film observes rituals performed by the South Asian, African, and Caribbean diaspora in Britain, demonstrating an appreciation of land, community values, and the universe we share with other species and planets.

'Oski' is an intimate portrait of a young prodigy and the culture that surrounds him. A film documenting a year in the life of skateboarding sensation Oskar ‘Oski’ Rozenberg as he transforms from cool street skater to celebrity sportsman competing in the Olympics. The demands of being a sportman with a shot at the gold medal in Tokyo weighs hard on Oski. It’s obvious that he is not your everyday athlete. Can his sport, and his culture survive the transition from underground to mainstream? And will he loose himself and everything dear to him in the process? 'Oski' explores the history of a subculture at a pivotal point in its history and how a humble and different thinking athlete, loved and adored by thousands of skateboarders all around the world, struggles to find his own path in life as an adult and sportsman.

FRANKREICH WIR KOMMEN is a highly enjoyable documentary, obviously intended for TV, but showing at film festivals. It shows us the highlights of the 1998 World Cup Championships in France through the eyes of several interesting and diverse fans of the Austrian national team. Entertaining, even for those not interested in football.

The infamous "Memorex" tape circulated the mid-west underground scene in the mid-’90s. Shot in 1993, the film captures a transient slice of post-’80s, pre-Y2K youth culture on the eve of a new century. Following a tribe of teenage heshers and burnouts at a skate park punk show, the film is a snapshot of the stray children of the boomer generation as they navigate their anxieties on the brink of social, global, and digital upheaval. Now, on its 30th anniversary, the original VHS tape has been restored in 4K, revealing a cultural time capsule of pre-9/11 American youth; a candid documentation of a moment both electric and uncanny.