Documentary
On a cold winter morning, a lone piano stands curbside in New York City. All day long, passersby stop to play. They collect and disperse, measure and push. Who abandons a piano? Plinking slightly out-of-tune over the white noise of Broadway's cars, buses, trucks, and sirens, the…
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Filmed over the course of four years, Grabsky and his Seventh Art team followed leading concert pianist Leif Ove Andsnes's attempt to understand and interpret one of the greatest sets of works for piano ever written: Beethoven's five piano concertos.The end result is a beautifully-crafted film with lavish cinematography, a signature of Grabsky and Seventh Art's style. Considered one of the top pianists of the age, Leif Ove Andsnes offers rare insights into the mind of a world-class pianist and access to his personal and professional life. Against the wonderful background of Leif Ove Andsnes playing these five pieces, we also peel back the many myths of Beethoven's life. Perhaps above all it is the fresh new biography of Beethoven that is most revealing.

Chronicles the Fifth International Piano Competition for Outstanding Amateurs, hosted by The Van Cliburn Foundation. Players from all over the world, ranging from self-taught to classically-trained, aged thirty-five to almost eighty, convene in Fort Worth, Texas for a week of intense competition, music and camaraderie. The film the film provides an intimate look into the lives of these colorful, multi-faceted competitors as they strive to balance the demands of work and family with their love of music. Years of dedicated preparation culminate in critical performances before a professional jury and discerning audience during three nerve-wracking elimination rounds.

A film about our garbage that is found in the most remote areas and about the people who try to dispose of it. Not only in the sea and on coasts, also in the Arctic, the jungle, high up on the mountains and deep inside the desert, garbage is found almost everywhere in various forms and dimensions, sometimes as whole car wrecks, old TV sets or simply construction rubble, but mostly in the form of disintegrated plastic particles a few millimetres in size. Humanity has handed out its visiting cards thoroughly.

The film is set on the streets of Groningen and highlights the intimate and invisible parts of Joram, his work and his studio: the street. Both the residents and visitors of the street are captured by Joram's raw, confrontational and intimate portraits. In the film, Joram and the many people he portrays talk about Joram, his work and life.