Coming to America

Told from the man's perspective, the story of a couple trying to reclaim the life and love they once knew and pick up the pieces of a past that may be too far gone.

Fresh off a breakup, Grayson hosts a celebratory barbecue on a beautiful, sunny day. But a final word of warning from his recently made ex-girlfriend has left him more paranoid than pleased.

A group of rock-music-loving students, with the help of the Ramones, take over their school to combat its newly installed oppressive administration.

Hired to helm an Americanized take on a British play, director Lloyd Fellowes does his best to control an eccentric group of stage actors. With a star actress quickly passing her prime, a male lead with no confidence, and a bit actor that's rarely sober, chaos ensues in the lead up to a Broadway premiere.

Haya's convinced she's going to die before thirty, so she's living like it — loud, reckless, completely unfiltered, no brakes. Then one of her stunts goes wrong and lands her in the ER... right into Youssef. A heart surgeon. Calm, controlled, lives by a schedule. The human opposite of her in every way. Naturally, she decides he's her destiny. What follows is chaotic, funny, and a little bit ridiculous — neon nights, strange rituals, the kind of moments you can't plan for. Her countdown keeps ticking. His walls keep cracking. And somewhere in between, they both start remembering what it actually feels like to be alive. A love story for anyone who's ever felt like too much.

A simple typewriter is familiar with a garage-facing young man, who is recommended to be a big business man. The same is done by her, presenting the daughter of his boss industrialist. In the end, however, all is corrected, misunderstandings are overlooked and the poor typist marries the poor garage.

When Madea catches teenage Jennifer and her two younger brothers looting her home, she decides to take matters into her own hands and delivers the young delinquents to the only relative they have: their aunt April. A heavy-drinking nightclub singer who lives off of her married boyfriend, April wants nothing to do with the kids.

Gary Starke is one of the best ticket scalpers in New York City. His girlfriend, Linda, doesn't approve of his criminal lifestyle, though, and dumps him when she gets the opportunity to study cooking in Paris. Gary realizes that he has to give up scalping if he has any chance of winning her back. But before he does, he wants to cash out on one last big score. He gets his chance when the pope announces he'll be performing Easter Mass at Yankee Stadium.

Momoko, a strange and seemingly emotionless girl obsessed with 18th century France, befriends a Yanki biker and the two experience the ups and downs of their unusual lives in a rural Japanese town.

A man falls in love with his childhood friend, but another friend is the one who reciprocates his feelings.

The film is a day in the life of a young artist, Jean-Michel Basquiat, who needs to raise money to reclaim the apartment from which he has been evicted. He wanders the downtown streets carrying a painting he hopes to sell, encountering friends, whose lives (and performances) we peek into.

John Stonehouse (William Russell) checks into a hotel, intending to commit suicide. But instead he winds up helping a girl, Gilberte Bonheur (Fritzi Brunette), out of a jam. He finds her bending over a man who she has apparently killed, and since he's about to kill himself anyway, he offers to assume the blame. Throw a valuable emerald into the works, and the fact that the dead man suddenly comes back to life, and Stonehouse -- not to mention the audience -- becomes thoroughly befuddled by it all. Everything clears up, however, when Gilberte gives him a theater ticket -- it turns out that everything he went through was the plot to a stage play, enacted in real life by the actors. The critics roasted the play, saying it wasn't true to life, and this was their proof that the situations really could happen. Gilberte retires from acting when Stonehouse proposes.