Claudio Geat
Self
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Self
Self
Self
Self
Self
Self
Self

In this documentary, Chicago, America’s Railroad Capital, you’ll discover how the third largest U.S. city became the nation’s most important hub, serving six of North America’s largest railroads. Along with its robust commuter system, more rail traffic passes through Chicago than any other city in America.

A group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.

A day in the city of Berlin, which experienced an industrial boom in the 1920s, and still provides an insight into the living and working conditions at that time. Germany had just recovered a little from the worst consequences of the First World War, the great economic crisis was still a few years away and Hitler was not yet an issue at the time.

On the purple trains that run through the rapeseed fields of Skåne, anger is growing. The train company is planning yet another cutback. But this time the train staff are ready to back each other! For decades, companies have competed to win lucrative public procurement contracts to run Sweden’s railways. This competition has led to the deteriorating work conditions for employees, as companies seek to establish a competitive advantage over one another. The short documentary, Segertåget (“Victory Train”), follows train drivers and train conductors who, between work shifts and the online meetings of the pandemic, organize themselves in a fight for justice and better working conditions. A story of perseverance and solidarity in a time of constant deterioration.

Canadian Pacific I is made up of a series of slowly dissolved shots done from the same framing over several months. The camera frames a window with a railway yard in the foreground, a bay in the space behind it, and misty mountains in the extreme distance. Trains occasionally pass by in the foreground. Huge ships move across the bay. Blue mists hover over the mountain heads.

Canadian Pacific II is designed as a companion piece to Canadian Pacific I. Shot from a window two storeys higher and in the building adjacent to the artists’s studio of the previous year, one enters into a dream state… an involvement with a vocabulary of seeing and feeling by subtle transitions of the passage of time